Claude Durand

What are Claude Durand's films like?

Across their 10 Motif titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Claude Durand's films?

As of October 24, 2026, 3 of their 10 Motif titles stream on a subscription or free service, most on The Criterion Channel (2).

• The Criterion Channel2 titles, browse their movies on this service
  • Adieu Philippine (1962) · editor
  • Magnet of Doom (1963) · editor

Subscription and free streaming for Claude Durand's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a Motif page.

• 

  Forbidden Priests(1973)

  Editor

  Motif score: 50th percentile of all films50^th
• 

  Caroline chérie(1968)

  Editor

  Motif score: 7th percentile of all films7^th
• 

  The Tattoo(1968)

  Editor

  Motif score: 63rd percentile of all films63^rd
• 

  The Upper Hand(1966)

  Editor

  Motif score: 45th percentile of all films45^th
• 

  Le tonnerre de Dieu(1965)

  Editor

  Motif score: 66th percentile of all films66^th
• 

  Greed in the Sun(1964)

  Editor

  Motif score: 85th percentile of all films85^th
• 

  Weekend at Dunkirk(1964)

  Editor

  Motif score: 80th percentile of all films80^th
• 

  Magnet of Doom(1963)

  Editor

  Motif score: 61st percentile of all films61^st
• 

  Adieu Philippine(1962)

  Editor

  Motif score: 77th percentile of all films77^th
• 

  Love and the Frenchwoman(1960)

  Editor

  Motif score: 34th percentile of all films34^th

Career shape

Across their 10 Motif titles from 1960 to 1973.

Highest rated

Greed in the Sun (1964)

Motif 85^th

Most popular right now

Adieu Philippine (1962)

How do Claude Durand's films land?

Their typical Motif film has a Motif score in the 62^nd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 64^th percentile for acclaim.

Shape of the crowd

None of their 10 titles divides audiences: 7 are Crowd Pleasers.

72

• Crowd Pleaser7
• Broadly Agreed2
• Mixed1

Most loved · editor

Greed in the Sun (1964)

Motif 85^th · 74% liked

Reviewers score the pacing 40/100 in their films, across 8 reviewed titles; fans 49, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Claude Durand work with?

People who share at least 2 of Claude Durand's Motif titles, grouped by what they did on them; Denys de La Patellière shares the most, 5.