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Agustina Chiarino

Agustina Chiarino

Producer

Agustina Chiarino (Montevideo, 1977) is a Uruguayan producer who has worked on several films, including Giant (2009), Loveling (2018) and Alelí (2019).

Biography from TMDB.

Works as
Producer
Titles
9 on MovieCove · 26 credits in all
TMDB popularity, last 38 days to Oct 27Down 36% in 30 days

What are Agustina Chiarino's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 7 · Stylized 1 · Heightened 1

Gentle 2 · Charged 5 · Intense 2

Steady 6 · Shifting 2 · Whiplash 1

Straight-faced 7 · Some laughs 2 · Funny 0

Slow burn 5 · Even-paced 4 · Relentless 0

Casual 1 · Engaged 6 · Full focus 2

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Tense
4
Contemplative
3
Warm
3
Bittersweet
2
Other
5

How their films end · 1 with a twist

  • Bittersweet6
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Agustina Chiarino's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Agustina Chiarino's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 9 with a MovieCove page.

  • Narciso(2026)

    Producer

    Midcredits score: 67th percentile of all films
  • Bye bye, Paraíso (not in the MovieCove catalog yet)(2026)

    Co-Producer

  • Mamá está acá (not in the MovieCove catalog yet)(2026)

    Producer

  • Our Part of the World (not in the MovieCove catalog yet)(2025)

    Executive Producer · Producer

  • Don't You Let Me Go (not in the MovieCove catalog yet)(2024)

    Executive Producer · Producer

  • Naufragios (not in the MovieCove catalog yet)(2024)

    Executive Producer · Producer

  • Los últimos(2023)

    Producer

    Midcredits score: 54th percentile of all films (provisional, few ratings)
  • I Woke Up With a Dream (not in the MovieCove catalog yet)(2022)

    Executive Producer · Producer

  • Alter(2022)

    Producer

  • Bosco (not in the MovieCove catalog yet)(2021)

    Producer

  • Alelí (not in the MovieCove catalog yet)(2019)

    Producer

  • Monos(2019)

    Co-Producer

    Midcredits score: 77th percentile of all films
  • Loveling(2018)

    Co-Producer

    Midcredits score: 88th percentile of all films
  • The Heiresses(2018)

    Producer

    Midcredits score: 65th percentile of all films
  • Life Beyond Me (not in the MovieCove catalog yet)(2017)

    Associate Producer

  • The Waves (not in the MovieCove catalog yet)(2017)

    Producer

  • Midcredits score: 55th percentile of all films
  • The Midfielder(2014)

    Executive Producer · Producer

    Midcredits score: 53rd percentile of all films
  • History of Fear (not in the MovieCove catalog yet)(2014)

    Co-Producer

  • 60 Primaveras (not in the MovieCove catalog yet)(2014)

    Producer

  • So Much Water(2013)

    Executive Producer

    Midcredits score: 52nd percentile of all films
  • 3 (not in the MovieCove catalog yet)(2012)

    Executive Producer

  • Hiroshima (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • Giant (not in the MovieCove catalog yet)(2009)

    Producer

  • Summer Runners (not in the MovieCove catalog yet)(2008)

    Executive Producer

  • The Comeback (not in the MovieCove catalog yet)

    Co-Producer

Career shape

A full career of 25 titles, 24 of them dated from 2008 to 2026.

By role

only this rolewith another role
Producing25 of 25: 25 only producing, 0 with another role · typical Midcredits score55th

By decade

2000s3 · crew2010s11 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Agustina Chiarino's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of the 8 of 9 with a score; across their 9 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 9

Approval · how many liked their films

57thpercentile
Typical film, the median of 9

Reach · how many have seen their films

56thpercentile
Typical film, the median of 9

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Agustina Chiarino work with?

People who share at least 2 of Agustina Chiarino's MovieCove titles, grouped by what they did on them; Fernando Epstein shares the most, 8.

Directors

Actors

Composers, cinematographers and editors

Producers