Eugenia Olascuaga
- Producer
- 4 on MovieCove
What are Eugenia Olascuaga's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 3 · Serious 1 · Dark 0
Grounded 4 · Stylized 0 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Eugenia Olascuaga's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Eugenia Olascuaga's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Loveling(2018)
Midcredits score: 88th percentile of all films
The Heiresses(2018)
Midcredits score: 65th percentile of all films
My Friend from the Park(2015)
Midcredits score: 55th percentile of all films
The Midfielder(2014)
Midcredits score: 53rd percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2014 to 2018.
Biggest box office
The Heiresses (2018)
Highest rated
Loveling (2018)
Most popular right now
The Heiresses (2018)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Eugenia Olascuaga's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up1
- 50th to 74th3
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Eugenia Olascuaga work with?
People who share at least 2 of Eugenia Olascuaga's MovieCove titles, grouped by what they did on them; Fernando Epstein shares the most, 4.
Actors
- Julieta ZylberbergShared titles: My Friend from the Park (2015), The Midfielder (2014)See all 2 shared titles with Julieta Zylberberg
Composers, cinematographers and editors
- Fernando EpsteinShared titles: Loveling (2018), The Heiresses (2018), My Friend from the Park (2015), The Midfielder (2014)See all 4 shared titles with Fernando Epstein
- Maximiliano SilveiraShared titles: Loveling (2018), My Friend from the Park (2015)See all 2 shared titles with Maximiliano Silveira
- Guillermo NietoShared titles: My Friend from the Park (2015), The Midfielder (2014)See all 2 shared titles with Guillermo Nieto
Producers
- Agustina ChiarinoShared titles: Loveling (2018), The Heiresses (2018), My Friend from the Park (2015), The Midfielder (2014)See all 4 shared titles with Agustina Chiarino
