Guille Gatti

Editor · Born May 7, 1979 (47) · San Martin, Buenos Aires, Argentina

Argentine film and series editor, with EU passport. Winner of the Silver Cóndor, CAPIT and the New York film & TV Festival GOLD MEDAL award. Nominated for the SUR, Fénix and Platinum awards Co-Founder of EDA: Argentine Association of Audiovisual Editors, co-author of the books on editing "Entre Cortes" and "La primera mirada". Lead Editor at UNDERGROUND Prod. a division of NBC UNIVERSAL - TELEMUNDO STREAMING SERVICES.

What are Guille Gatti's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Comedy2 titles38^th

Horror2 titles27^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Survival

29%

Morality

23%

Society

16%

Self

13%

Power

9%

Bonds

8%

Ideas

2%

Survival3 Betrayal3 Justice2 Isolation3 Obsession2

What they feel like to watch

their average across 7 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 2 · Earnest 5

Dark

Tone · Weight

lightdark

Light 1 · Serious 1 · Dark 5

Stylized

Tone · Style

naturalisticheightened

A split, not a type: Grounded 4 · Stylized 1 · Heightened 2

Charged

Feel · Intensity

gentleintense

A split, not a type: Gentle 1 · Charged 1 · Intense 5

Shifting

Feel · Swings

steadyswings

Steady 1 · Shifting 3 · Whiplash 3

Straight-faced

Feel · Humor

noneconstant

Straight-faced 4 · Some laughs 3 · Funny 0

Even-paced

Demand · Pace

slowrelentless

Slow burn 3 · Even-paced 4 · Relentless 0

Engaged

Demand · Attention

casualfull focus

Casual 1 · Engaged 4 · Full focus 2

Affecting

Demand · Emotional cost

easyheavy

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 4

Open-ended

Demand · Resolution

resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

11

Dread

8

Melancholic

4

Cold

2

Absurd

2

Other

5

How their films linger

Unsettling8 Haunting6 Thought-provoking4 Bittersweet2 Hopeful2

How their films end · 3 with a twist

Bittersweet6
Tragic1
Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Guille Gatti's films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service.

Also on these channels

FlixLatino1 title, show their title on FlixLatino
Midnight Pulp1 title, show their title on Midnight Pulp
Shout! TV1 title, show their title on Shout! TV
ViX1 title, show their title on ViX

Subscription and free streaming for Guille Gatti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

Pacific(2026)
Editor
Midcredits score: 56th percentile of all films (provisional, few ratings)
In the Mud(2025)
Show Editor
Midcredits score: 36th percentile of all shows
The Dentist(2025)
Show Editor
Midcredits score: 34th percentile of all shows (provisional, few ratings)
Diary of a Gigolo(2022)
Show Editor
Midcredits score: 36th percentile of all shows
El Secreto de la Familia Greco(2022)
Show Editor
Midcredits score: 30th percentile of all shows
Virus-32(2022)
Editor
Midcredits score: 29th percentile of all films
Yosi, the Regretful Spy(2022)
Show Editor
Midcredits score: 80th percentile of all shows
Bad Christmas(2021)
Editor
Midcredits score: 62nd percentile of all films
On the 3rd Day(2021)
Editor
Midcredits score: 20th percentile of all films
El Kiosco(2019)
Editor
Midcredits score: 14th percentile of all films
El Angel(2018)
Editor
Midcredits score: 80th percentile of all films
Dead Line(2006)
Editor
Midcredits score: 24th percentile of all films

Career shape

Across their 12 MovieCove titles from 2006 to 2026.

Biggest box office

El Angel (2018)

$5.6M worldwide

Highest rated

El Angel (2018)

Midcredits 80^th

By role

only this rolewith another role

Editing12 of 12 · 35^th

By decade

2000s1 · crew2010s2 · crew2020s9 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Guille Gatti's films land?

Their typical MovieCove film has a Midcredits score in the 29^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 42^nd percentile for acclaim.

Acclaim · how much people like their films

42^ndpercentile

Typical film, the median of 7

Approval · how many liked their films

41^stpercentile

Typical film, the median of 7

Reach · how many have seen their films

66^thpercentile

Typical film, the median of 7

Midcredits score across 12 titles, by percentile

75^th and up2
50^th to 74^th2
25^th to 49^th5
Below 25^th3

Shape of the crowd

8 of their 12 titles are Mixed.

Divisive2
Crowd Pleaser2
Mixed8

Most divisive · editor

Dead Line (2006)

99^th percentile spread · 47% rated it 4 or lower

Most loved · editor

El Angel (2018)

Midcredits 80^th · 69% liked

Reviewers score the pacing 49/100 in their films, across 5 reviewed titles; fans 67, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Guille Gatti's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films

Sex & Nudity4 titlesmedian 63 · intense

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Guille Gatti work with?

People who share at least 2 of Guille Gatti's MovieCove titles, grouped by what they did on them; Sebastián Ortega shares the most, 4.

Directors

Alejandro Ciancio2 titles See all 2 shared titles with Alejandro Ciancio

Writers

Sebastián Ortega4 titles · 2 as writer See all 4 shared titles with Sebastián Ortega
Andrés Gelós2 titles See all 2 shared titles with Andrés Gelós
Natacha Caravia2 titles See all 2 shared titles with Natacha Caravia
Alejandro Quesada2 titles See all 2 shared titles with Alejandro Quesada

Guille Gatti

What are Guille Gatti's films like?

Genres

Themes

What they feel like to watch

Moods and endings

Where can I watch Guille Gatti's films?

Filmography

Career shape

By role

By decade

How do Guille Gatti's films land?

Shape of the crowd

Is Guille Gatti's work okay for kids?

Who does Guille Gatti work with?

Directors

Writers

Actors

Cinematographers and editors

Producers