- Editor, writer, director and actor
- 9 on MovieCove · 27 credits in all
What are Martín Blousson's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 0 · Serious 0 · Dark 8
A split, not a type: Grounded 4 · Stylized 3 · Heightened 1
Gentle 0 · Charged 3 · Intense 5
Steady 2 · Shifting 4 · Whiplash 2
Straight-faced 8 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 5 · Relentless 0
Casual 0 · Engaged 5 · Full focus 3
Easy watch 0 · Affecting 3 · Heavy 5
Resolved 1 · Open-ended 4 · Ambiguous 3
Moods and endings
- Tragic1
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Martín Blousson's films?
As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Martín Blousson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 9 with a MovieCove page.

Fifteen(2026)
Midcredits score: 57th percentile of all films
Pacific(2026)
Midcredits score: 56th percentile of all films (provisional, few ratings)
The Eyes of the Abyss(2025)
Midcredits score: 78th percentile of all films
I Had the Heart (not in the MovieCove catalog yet)(2024)

The Righteous (not in the MovieCove catalog yet)(2024)

Storm Crashers (not in the MovieCove catalog yet)(2024)

The Attachment Diaries(2021)
Midcredits score: 43rd percentile of all films
Virtual Reality(2021)
Midcredits score: 24th percentile of all films
Exquisite Corpse(2021)
Midcredits score: 3rd percentile of all films
On the 3rd Day(2021)
Midcredits score: 20th percentile of all films
The Pandemic Anthology(2020)
Midcredits score: 12th percentile of all films
Phone Line 137 (not in the MovieCove catalog yet)(2020)

Rock, Paper and Scissors(2019)
Midcredits score: 28th percentile of all films
Soy tu karma (not in the MovieCove catalog yet)(2017)

Ecuación (not in the MovieCove catalog yet)(2016)

White Coffin (not in the MovieCove catalog yet)(2016)

Benavidez’s Case (not in the MovieCove catalog yet)(2016)

The Rotten Link (not in the MovieCove catalog yet)(2015)

Jorge & Alberto vs. The Neoliberal Demons (not in the MovieCove catalog yet)(2014)

Blood Brothers (not in the MovieCove catalog yet)(2013)

Memory of the Dead (not in the MovieCove catalog yet)(2013)

Diablo (not in the MovieCove catalog yet)(2012)

Parapolicial negro: Apuntes para una prehistoria de la triple A (not in the MovieCove catalog yet)(2010)

The Owner (not in the MovieCove catalog yet)(2008)

El sentido del miedo (not in the MovieCove catalog yet)(2007)
El Kuervo (not in the MovieCove catalog yet)(2006)

El sentido Derby (not in the MovieCove catalog yet)
Career shape
A full career of 26 titles, 25 of them dated from 2006 to 2026.

Biggest box office
Virtual Reality (2021)

Highest rated
On the 3rd Day (2021)

Most popular right now
Pacific (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Martín Blousson's films land?
Their typical MovieCove film has a Midcredits score in the 28th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 29th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th2
- Below 25th4
Shape of the crowd
6 of their 9 titles are Mixed.
- Universally Panned1
- Divisive1
- Cult Classic1
- Mixed6
Reviewers score the pacing 43/100 in their films, across 3 reviewed titles; fans 58, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Martín Blousson work with?
People who share at least 2 of Martín Blousson's MovieCove titles, grouped by what they did on them; Valentín Javier Diment shares the most, 3.
Writers
- Valentín Javier DimentShared titles: Fifteen (2026), The Attachment Diaries (2021), Rock, Paper and Scissors (2019)See all 3 shared titles with Valentín Javier Diment

Editors
- Guille GattiShared titles: Pacific (2026), On the 3rd Day (2021)See all 2 shared titles with Guille Gatti

Producers
- Vanesa PaganiShared titles: Fifteen (2026), The Attachment Diaries (2021), Rock, Paper and Scissors (2019)See all 3 shared titles with Vanesa Pagani