- Producer, director and writer
- 11 on MovieCove · 19 credits in all
Known for
What are Joss Crowley's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Ideas and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 6 · Serious 3 · Dark 0
Grounded 9 · Stylized 0 · Heightened 0
Gentle 5 · Charged 4 · Intense 0
Steady 9 · Shifting 0 · Whiplash 0
Straight-faced 8 · Some laughs 1 · Funny 0
Slow burn 8 · Even-paced 1 · Relentless 0
Casual 8 · Engaged 1 · Full focus 0
Easy watch 8 · Affecting 1 · Heavy 0
Resolved 9 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet5
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Joss Crowley's films?
As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Joss Crowley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 11 with a MovieCove page.
Pretenders (not in the MovieCove catalog yet)(2026)
Midcredits score: 92nd percentile of all films
Live Italian(2023)
Midcredits score: 29th percentile of all shows (provisional, few ratings)
Homecoming: The Road to Mullingar (not in the MovieCove catalog yet)(2022)
Not Just a Girl(2022)
Midcredits score: 86th percentile of all filmsTogether We Rise (not in the MovieCove catalog yet)(2020)
Midcredits score: 92nd percentile of all films
American Valhalla(2017)
Midcredits score: 89th percentile of all films
Lenny Kravitz Live: Just Let Go (not in the MovieCove catalog yet)(2015)
Elvis Costello - Detour Live at Liverpool Philharmonic Hall (not in the MovieCove catalog yet)(2015)
Daryl Hall & John Oates - Live in Dublin (not in the MovieCove catalog yet)(2015)
Midcredits score: 92nd percentile of all films
Midcredits score: 95th percentile of all films
Freddie Mercury: The Great Pretender (not in the MovieCove catalog yet)(2012)
Midcredits score: 90th percentile of all films
Midcredits score: 97th percentile of all films
Midcredits score: 84th percentile of all films
Classic Albums: Rush - 2112 & Moving Pictures (not in the MovieCove catalog yet)(2010)
The Queen(2006)
Midcredits score: 90th percentile of all films
Career shape
A full career of 13 titles from 2006 to 2026.
How do Joss Crowley's films land?
Their typical MovieCove film has a Midcredits score in the 91st percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 89th percentile for acclaim.
- 75th and up10
- 25th to 49th1
Shape of the crowd
7 of their 11 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser7
- Mixed1
Reviewers score the atmosphere 57/100 and the pacing 51/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Joss Crowley work with?
People who share at least 2 of Joss Crowley's MovieCove titles, grouped by what they did on them; Geoff Kempin shares the most, 6.
Directors
- Martin R. SmithShared titles: The Who: The Making of Tommy (2013), Doors: Mr. Mojo Risin' - The Story of L.A. Woman (2012)See all 2 shared titles with Martin R. Smith
Editors
- Matthew LongfellowShared titles: John & Yoko: Above Us Only Sky (2018), The Ritchie Blackmore Story (2015), The Who: The Making of Tommy (2013)See all 3 shared titles with Matthew Longfellow
- Tim WoolcottShared titles: Not Just a Girl (2022), American Valhalla (2017)See all 2 shared titles with Tim Woolcott
Producers
- Geoff KempinShared titles: Not Just a Girl (2022), John & Yoko: Above Us Only Sky (2018), American Valhalla (2017), The Ritchie Blackmore Story (2015), The Who: The Making of Tommy (2013), Pink Floyd: The Story of Wish You Were Here (2012)See all 6 shared titles with Geoff Kempin
- Peter WorsleyShared titles: Not Just a Girl (2022), John & Yoko: Above Us Only Sky (2018), American Valhalla (2017), The Ritchie Blackmore Story (2015), The Who: The Making of Tommy (2013)See all 5 shared titles with Peter Worsley
- Terry ShandShared titles: John & Yoko: Above Us Only Sky (2018), American Valhalla (2017), The Ritchie Blackmore Story (2015), The Who: The Making of Tommy (2013), Pink Floyd: The Story of Wish You Were Here (2012)See all 5 shared titles with Terry Shand
- Alan RavenscroftShared titles: The Ritchie Blackmore Story (2015), Doors: Mr. Mojo Risin' - The Story of L.A. Woman (2012), Pink Floyd: The Story of Wish You Were Here (2012)See all 3 shared titles with Alan Ravenscroft