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Peter Worsley

Peter Worsley

Producer

An Emmy Award winning film and TV producer and production executive with over 20 years' experience in the industry and with a broad experience of production, distribution and coproduction. Peter was the lead producer of the feature documentary One to One: John & Yoko, directed by Academy Award winning director Kevin Macdonald for Plan B/KM Films and Mercury Studios which premiered at Venice, Telluride Film and Sundance Festivals and is releasing theatrically in UK through Dogwoof and worldwide in April 2025. Now working as a freelance producer, Peter is specialised in the production and distribution of long form music programming having worked at Universal Music Group's Eagle Rock (now Mercury Studios) for over fifteen years. Recent production credits include Eric Clapton: Across 24 Nights (Warner Music), Emmy Award winning and Grammy nominated Miles Davis: Birth of the Cool (PBS, BBC, Netflix), Shania Twain: Not Just a Girl (Netflix), series Icon: Music Through the Lens (Sky, PBS) and Classic Albums (Sky, BBC). Peter has overseen the worldwide theatrical release of numerous documentaries with distributors including Trafalgar, Piece of Magic, Breakout Films, Abramorama, Dogwoof and Magnolia and distributed films from directors including Werner Herzog, Michael Moore and Mike Figgis.

Read more

Biography from IMDb.

Works as
Producer
Titles
21 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Up 12% in 30 days

What are Peter Worsley's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Society and Self.

Genres

Documentary17 titlesTypical Midcredits score: 87th percentile
: browse their Documentary movies
Music2 titlesTypical Midcredits score: 94th percentile, at or above their average across these genres
: browse their Music movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Society
34%
Self
24%
Ideas
22%
Bonds
11%
Survival
8%
Art9 titles, browse their movies with this themeCommunity8 titles, browse their movies with this themeLegacy9 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeAmbition4 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeMortality3 titles, browse their movies with this theme

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 15 · Serious 4 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 18 · Stylized 1 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 8 · Charged 11 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 16 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 14 · Some laughs 5 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 15 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 14 · Engaged 5 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 19 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
11
Contemplative
13
Joyful
7
Hopeful
6
Bittersweet
5
Other
12

How their films linger

Rousing10 titles, browse their movies with this aftertasteHopeful9 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet11
  • Ambiguous1
  • Cyclical2
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Worsley's films?

As of October 24, 2026, 11 of their 21 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Peter Worsley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 21 with a MovieCove page.

  • Power to the People(2026)

    Producer

    Midcredits score: 92nd percentile of all films

  • One to One: John & Yoko(2024)

    Producer

    Midcredits score: 86th percentile of all films

  • Eric Clapton: The Definitive 24 Nights - Rock (not in the MovieCove catalog yet)(2023)

    Producer

  • Eric Clapton: Across 24 Nights (not in the MovieCove catalog yet)(2023)

    Producer

  • Not Just a Girl(2022)

    Producer

    Midcredits score: 86th percentile of all films

  • Eric Clapton, the Lady in the Balcony: Lockdown Sessions(2021)

    Producer

    Midcredits score: 88th percentile of all films (provisional, few ratings)

  • Classic Albums: Suede - Coming Up (not in the MovieCove catalog yet)(2021)

    Producer

  • Songs for While I'm Away(2020)

    Producer

    Midcredits score: 93rd percentile of all films

  • Somebody Up There Likes Me(2019)

    Producer

    Midcredits score: 62nd percentile of all films

  • Count Basie: Through His Own Eyes(2018)

    Supervising Producer

    Midcredits score: 74th percentile of all films (provisional, few ratings)

  • ICON: Music Through the Lens(2020)

    Show Producer

    Midcredits score: 89th percentile of all shows

  • Ella Fitzgerald: Just One of Those Things(2019)

    Supervising Producer

    Midcredits score: 77th percentile of all films

  • John & Yoko: Above Us Only Sky(2018)

    Producer

    Midcredits score: 92nd percentile of all films

  • Steven Wilson - Home Invasion: In Concert at the Royal Albert Hall (not in the MovieCove catalog yet)(2018)

    Supervising Producer

  • Classic Albums: Amy Winehouse - Back to Black (not in the MovieCove catalog yet)(2018)

    Supervising Producer

  • Nashville in Concert (not in the MovieCove catalog yet)(2018)

    Supervising Producer

  • Blue Note Records: Beyond the Notes(2018)

    Producer

    Midcredits score: 89th percentile of all films

  • Hans Zimmer: Live in Prague (not in the MovieCove catalog yet)(2017)

    Supervising Producer

  • Eagles of Death Metal - I Love You All The Time: Live At The Olympia in Paris (not in the MovieCove catalog yet)(2017)

    Supervising Producer

  • Classic Albums: Carly Simon - No Secrets (not in the MovieCove catalog yet)(2017)

    Supervising Producer

  • Joe Cocker: Mad Dog with Soul(2017)

    Supervising Producer

    Midcredits score: 87th percentile of all films

  • American Valhalla(2017)

    Producer

    Midcredits score: 89th percentile of all films

  • Black Sabbath: The End(2017)

    Producer

    Midcredits score: 99th percentile of all films

  • Black Sabbath: The End Of The End(2017)

    Producer

    Midcredits score: 75th percentile of all films

  • Queen: Rock the World(2017)

    Producer

    Midcredits score: 81st percentile of all films

  • Iggy Pop: Post Pop Depression(2016)

    Producer

    Midcredits score: 98th percentile of all films (provisional, few ratings)

  • Mumford & Sons: We Wrote This Yesterday(2016)

    Producer

    Midcredits score: 80th percentile of all films (provisional, few ratings)

  • Eric Clapton: Slowhand at 70 - Live at The Royal Albert Hall (not in the MovieCove catalog yet)(2015)

    Supervising Producer

  • The Ritchie Blackmore Story(2015)

    Producer

    Midcredits score: 92nd percentile of all films

  • Genesis: Together and Apart(2014)

    Supervising Producer

    Midcredits score: 82nd percentile of all films

  • The Who: The Making of Tommy(2013)

    Supervising Producer

    Midcredits score: 95th percentile of all films

  • Classic Albums: The Beach Boys - Pet Sounds (not in the MovieCove catalog yet)(2010)

    Supervising Producer

Career shape

A full career of 22 titles from 2010 to 2026.

Biggest box office

One to One: John & Yoko (2024)

$969K worldwide

Highest rated

John & Yoko: Above Us Only Sky (2018)

Midcredits 92nd

Most popular right now

One to One: John & Yoko (2024)

By role

only this rolewith another role
Producing22 of 22: 22 only producing, 0 with another role · typical Midcredits score87th

By decade

2010s13 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Worsley's films land?

Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 20; across their 19 films with reception data, the typical film sits in the 89th percentile for acclaim.

Acclaim · how much people like their films

89thpercentile
Typical film, the median of 19

Approval · how many liked their films

87thpercentile
Typical film, the median of 19

Reach · how many have seen their films

36thpercentile
Typical film, the median of 19

Midcredits score across 21 titles, by percentile

  • 75th and up19
  • 50th to 74th2

Shape of the crowd

14 of their 21 titles are Crowd Pleasers.

  • Universally Loved4
  • Divisive2
  • Crowd Pleaser14
  • Mixed1

Most divisive · producer

Black Sabbath: The End Of The End (2017)

96th percentile spread · 37% rated it 4 or lower

Most loved · producer

Black Sabbath: The End (2017)

Midcredits 99th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Peter Worsley work with?

People who share at least 2 of Peter Worsley's MovieCove titles, grouped by what they did on them; Geoff Kempin shares the most, 12.

Directors

Writers

Actors

Cinematographers and editors

Producers

  • Geoff Kempin12 titles    See all 12 shared titles with Geoff Kempin
  • Terry Shand11 titles    See all 11 shared titles with Terry Shand
  • Lorna Lithgow4 titles    See all 4 shared titles with Lorna Lithgow
  • Melissa Morton Hicks3 titles    See all 3 shared titles with Melissa Morton Hicks

Mixed roles