Sarah Siegel-Magness

What are Sarah Siegel-Magness' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sarah Siegel-Magness' films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Precious (2009) · producer · free
  • Weepah Way for Now (2015) · producer · free
  • Judy Moody and the Not Bummer Summer (2011) · producer · free
• Prime Video2 titles, browse their movies on this service
  • Weepah Way for Now (2015) · producer
  • Judy Moody and the Not Bummer Summer (2011) · producer
• The Roku Channel1 title, browse their movies on this service
  • Judy Moody and the Not Bummer Summer (2011) · producer · free

Subscription and free streaming for Sarah Siegel-Magness' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Weepah Way for Now(2015)

  Executive Producer

  Midcredits score: 37th percentile of all films37^th
• 

  Crazy Kind of Love(2013)

  Director

  Midcredits score: 37th percentile of all films37^th
• 

  Judy Moody and the Not Bummer Summer(2011)

  Producer

  Midcredits score: 21st percentile of all films21^st
• 

  Precious(2009)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Tennessee(2008)

  Producer

  Midcredits score: 38th percentile of all films38^th

Career shape

A full career of 4 titles from 2009 to 2015.

Biggest box office

Precious (2009)

$64M worldwide

Highest rated

Precious (2009)

Midcredits 91^st

How do Sarah Siegel-Magness' films land?

Their typical MovieCove film has a Midcredits score in the 37^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 35^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Mixed.

1112

• Divisive1
• Cult Classic1
• Crowd Pleaser1
• Mixed2

Most divisive · producer

Tennessee (2008)

93^rd percentile spread · 30% rated it 4 or lower

Most loved · producer

Precious (2009)

Midcredits 91^st · 78% liked

Reviewers score the atmosphere 58/100 and the pacing 37/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sarah Siegel-Magness work with?

People who share at least 2 of Sarah Siegel-Magness' MovieCove titles, grouped by what they did on them; Gary Magness shares the most, 4.