Gary Magness

What are Gary Magness' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gary Magness' films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Precious (2009) · producer · free
  • Judy Moody and the Not Bummer Summer (2011) · producer · free
• Prime Video1 title, browse their movies on this service
  • Judy Moody and the Not Bummer Summer (2011) · producer
• The Roku Channel1 title, browse their movies on this service
  • Judy Moody and the Not Bummer Summer (2011) · producer · free

Subscription and free streaming for Gary Magness' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Crazy Kind of Love(2013)

  Producer

  Midcredits score: 37th percentile of all films37^th
• 

  Judy Moody and the Not Bummer Summer(2011)

  Producer

  Midcredits score: 21st percentile of all films21^st
• 

  Precious(2009)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Tennessee(2008)

  Producer

  Midcredits score: 38th percentile of all films38^th

Career shape

A full career of 2 titles from 2009 to 2011.

Biggest box office

Precious (2009)

$64M worldwide

Highest rated

Precious (2009)

Midcredits 91^st

How do Gary Magness' films land?

Their typical MovieCove film has a Midcredits score in the 38^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 32^nd percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Mixed.

112

• Divisive1
• Crowd Pleaser1
• Mixed2

Most divisive · producer

Tennessee (2008)

93^rd percentile spread · 30% rated it 4 or lower

Most loved · producer

Precious (2009)

Midcredits 91^st · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gary Magness work with?

People who share at least 2 of Gary Magness' MovieCove titles, grouped by what they did on them; Sarah Siegel-Magness shares the most, 4.