
Sune Martin
Composer · Born March 18, 1968 (58) · København, Danmark
- March 18, 1968 (58)
- København, Danmark
- Composer
- 9 on MovieCove · 16 credits in all
What are Sune Martin's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 0 · Serious 2 · Dark 5
Grounded 7 · Stylized 0 · Heightened 0
Gentle 1 · Charged 0 · Intense 6
Steady 2 · Shifting 5 · Whiplash 0
Straight-faced 5 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 5 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 5
Resolved 5 · Open-ended 2 · Ambiguous 0
Moods and endings
- Bittersweet6
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sune Martin's films?
As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Sune Martin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 9 with a MovieCove page.

The Ox Road (not in the MovieCove catalog yet)(2025)

The Marco Effect(2021)
Midcredits score: 19th percentile of all films
22 July(2018)
Midcredits score: 76th percentile of all films
The Outsider(2018)
Midcredits score: 49th percentile of all films
The Model(2016)
Midcredits score: 35th percentile of all films
The Day Will Come(2016)
Midcredits score: 98th percentile of all films
Land of Mine(2015)
Midcredits score: 98th percentile of all films
The Legacy(2014)
Midcredits score: 80th percentile of all shows
The Shellhouse Raid (not in the MovieCove catalog yet)(2013)

Teddy Bear(2012)
Midcredits score: 85th percentile of all films
A Funny Man(2011)
Midcredits score: 76th percentile of all films
Applause (not in the MovieCove catalog yet)(2009)

Lynch (one) (not in the MovieCove catalog yet)(2007)

Mum (not in the MovieCove catalog yet)(2006)

When You Wake (not in the MovieCove catalog yet)(2005)

Descent (not in the MovieCove catalog yet)(2003)
Career shape
A full career of 15 titles from 2003 to 2025.

Biggest box office
A Funny Man (2011)

Highest rated
Land of Mine (2015)

Most popular right now
The Marco Effect (2021)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Sune Martin's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up6
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 9 titles divides audiences: 5 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser5
- Broadly Agreed1
- Mixed1
Reviewers score the sound and music 64/100 in their films, across 6 reviewed titles; fans 69, detractors 40. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Sune Martin's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Sune Martin work with?
People who share at least 2 of Sune Martin's MovieCove titles, grouped by what they did on them; Martin Zandvliet shares the most, 5.
Directors
- Martin ZandvlietShared titles: The Marco Effect (2021), The Model (2016), Land of Mine (2015), Teddy Bear (2012), A Funny Man (2011)See all 5 shared titles with Martin Zandvliet

- Mads MatthiesenShared titles: The Model (2016), Teddy Bear (2012)See all 2 shared titles with Mads Matthiesen

Writers
- Anders Frithiof AugustShared titles: The Marco Effect (2021), The Model (2016), A Funny Man (2011)See all 3 shared titles with Anders Frithiof August

Actors
- Lars RantheShared titles: The Day Will Come (2016), A Funny Man (2011)See all 2 shared titles with Lars Ranthe

- Laura BroShared titles: Land of Mine (2015), A Funny Man (2011)See all 2 shared titles with Laura Bro

Editors
- Per SandholtShared titles: The Marco Effect (2021), Land of Mine (2015), A Funny Man (2011)See all 3 shared titles with Per Sandholt

Producers
- Henrik ZeinShared titles: The Marco Effect (2021), Land of Mine (2015), A Funny Man (2011)See all 3 shared titles with Henrik Zein

- Mikael Chr. RieksShared titles: The Marco Effect (2021), Land of Mine (2015), A Funny Man (2011)See all 3 shared titles with Mikael Chr. Rieks

- Louise VesthShared titles: The Day Will Come (2016), The Model (2016)See all 2 shared titles with Louise Vesth

- Madeleine EkmanShared titles: The Day Will Come (2016), The Model (2016)See all 2 shared titles with Madeleine Ekman

