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Sophie Sartain is the co-director and producer of the Netflix Original Documentary Seeing Allred, which premiered at the 2018 Sundance Film Festival and is described as "remarkably entertaining" (The New York Times) and "an ideal companion to the #MeToo Movement" (Variety). Sartain was the writer, director, producer and cinematographer of Mimi and Dona, which aired nationally on PBS/Independent Lens and was named one of the best TV shows of 2015 by The New York Times. Sartain's other credits include the 2014 documentary Above and Beyond (writer), produced by Nancy Spielberg and winner of the audience award at more than 20 film festivals; the 2012 documentary Have Nagila (The Movie) (writer/producer), the opening or closing night film at more than 40 film festivals; and the Emmy-nominated 2008 film Blessed Is the Match: The Life and Death of Hannah Senesh (writer/co-producer). Sartain has been a film envoy with the American Film Showcase, a diplomacy program run by State Department in partnership with the USC School of Cinematic Arts. She is a member of New Day Films. She has served as a panelist for the National Endowment for the Humanities' America's Media Maker grants, and is the recipient of grants from ITVS Open Call and the Fledgling Fund. Sartain's past positions include Executive Director of Editorial Services for MGM Home Entertainment and Managing Editor of Sony Online Entertainment. She has contributed as a writer and consultant on several documentary projects, including Who Will Write Our History (2018), Ishi's Return (2016), Rock in the Red Zone (2015), Hotel Everest (2017), Feminists: What Were They Thinking (2018) and In the Matter of Cha Jung Hee (2010). As a freelance writer, her clients have included Los Angeles Magazine, 20th Century Fox Home Entertainment, Sony Pictures Home Entertainment, Universal Studios, New Line Home Entertainment, CBS Sports Radio and ABC Radio Networks.

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Biography from IMDb.

Works as
Writer, director, producer, actor and cinematographer
Titles
4 on MovieCove · 8 credits in all
TMDB popularity, last 39 days to Oct 28Up 46% in 30 days

What are Sophie Sartain's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
25%
Morality
25%
Survival
22%
Society
19%
Power
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 4 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 3

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Hopeful
2
Tense
2
Melancholic
2
Contemplative
2
Bittersweet
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sophie Sartain's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Sophie Sartain's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 4 with a MovieCove page.

  • Buried Under Years of Dust (not in the MovieCove catalog yet)(2026)

    Director · Producer · as Self

  • Vishniac (not in the MovieCove catalog yet)(2023)

    Writer

  • Birddog Nation (not in the MovieCove catalog yet)(2020)

    Director · Writer

  • Seeing Allred(2018)

    Director · Producer

    Midcredits score: 86th percentile of all films
  • Above and Beyond(2014)

    Writer

    Midcredits score: 93rd percentile of all films
  • Mimi and Dona(2014)

    Director · Cinematographer · Producer · Writer · as (voice)

    Midcredits score: 94th percentile of all films (provisional, few ratings)
  • Hava Nagila: The Movie (not in the MovieCove catalog yet)(2012)

    Screenplay

  • Blessed Is the Match(2008)

    Co-Producer · Writer

    Midcredits score: 67th percentile of all films

Career shape

A full career of 8 titles from 2009 to 2026.

By role

only this rolewith another role
Acting1 of 8: 0 only acting, 1 with another roleDirecting4 of 8: 0 only directing, 4 with another roleWriting6 of 8: 3 only writing, 3 with another roleProducing4 of 8: 0 only producing, 4 with another roleCinematography1 of 8: 0 only cinematography, 1 with another role

8 titles, 5 with more than one role — writing and directing overlap on 2 of them.

By decade

2000s1 · crew2010s4 · 1 acting · 4 crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Sophie Sartain's films land?

Their typical MovieCove film has a Midcredits score in the 90th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 4

Approval · how many liked their films

86thpercentile
Typical film, the median of 4

Reach · how many have seen their films

24thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 50th to 74th1

Reviewers score the plot and story 62/100 in their films, across 3 reviewed titles; fans 70, detractors 43. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sophie Sartain work with?

People who share at least 2 of Sophie Sartain's MovieCove titles, grouped by what they did on them; Roberta Grossman shares the most, 3.

Directors

Editors

Producers