- Director, producer and writer, also actor
- 6 on MovieCove · 11 credits in all
What are Roberta Grossman's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 1 · Serious 3 · Dark 2
Grounded 6 · Stylized 0 · Heightened 0
Gentle 1 · Charged 4 · Intense 1
Steady 5 · Shifting 1 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 5 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 4
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet5
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roberta Grossman's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Prime Video (2).
Subscription and free streaming for Roberta Grossman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 6 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Vishniac (not in the MovieCove catalog yet)(2023)
Reckonings(2022)
Midcredits score: 36th percentile of all films (provisional, few ratings)
Stranger at the Gate (not in the MovieCove catalog yet)(2022)
Petit Rat (not in the MovieCove catalog yet)(2021)
Birddog Nation (not in the MovieCove catalog yet)(2020)
Midcredits score: 90th percentile of all films
Seeing Allred(2018)
Midcredits score: 86th percentile of all films
Above and Beyond(2014)
Midcredits score: 93rd percentile of all films
Hava Nagila: The Movie (not in the MovieCove catalog yet)(2012)
Blessed Is the Match(2008)
Midcredits score: 67th percentile of all films
Live! From Death Row(1992)
Midcredits score: 23rd percentile of all films
Career shape
A full career of 11 titles from 1992 to 2023.
Biggest box office
Above and Beyond (2014)
Highest rated
Seeing Allred (2018)
Most popular right now
Only in Theaters (2022)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Roberta Grossman's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
3 of their 6 titles are Mixed.
- Divisive1
- Crowd Pleaser2
- Mixed3
Reviewers score the atmosphere 70/100 and the pacing 60/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roberta Grossman work with?
People who share at least 2 of Roberta Grossman's MovieCove titles, grouped by what they did on them; Chris Callister shares the most, 4.
Writers
- Sophie SartainShared titles: Seeing Allred (2018), Above and Beyond (2014), Blessed Is the Match (2008)See all 3 shared titles with Sophie Sartain
Composers, cinematographers and editors
- Chris CallisterShared titles: Reckonings (2022), Seeing Allred (2018), Who Will Write Our History (2018), Above and Beyond (2014)See all 4 shared titles with Chris Callister
- Todd BoekelheideShared titles: Reckonings (2022), Who Will Write Our History (2018), Blessed Is the Match (2008)See all 3 shared titles with Todd Boekelheide
- Alex PolliniShared titles: Reckonings (2022), Seeing Allred (2018)See all 2 shared titles with Alex Pollini
- Dyanna TaylorShared titles: Who Will Write Our History (2018), Blessed Is the Match (2008)See all 2 shared titles with Dyanna Taylor
Producers
- July HodaraShared titles: Reckonings (2022), Seeing Allred (2018), Who Will Write Our History (2018), Above and Beyond (2014)See all 4 shared titles with July Hodara
- Anna RozalskaShared titles: Reckonings (2022), Who Will Write Our History (2018)See all 2 shared titles with Anna Rozalska
- Tarik HachoudShared titles: Reckonings (2022), Who Will Write Our History (2018)See all 2 shared titles with Tarik Hachoud
- Marta KauffmanShared titles: Seeing Allred (2018), Blessed Is the Match (2008)See all 2 shared titles with Marta Kauffman
