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Laura Fernández Espeso

Laura Fernández Espeso

Producer · Benavente, Zamora, Spain

Laura Fernández Espeso (born 1972) is a Spanish film and television producer and media executive. She serves as the general manager of Mediapro. Fernández Espeso was born in Benavente in 1972. She earned a marketing degree from London South Bank University. She joined Globomedia in 2009. Mediapro purchased Globomedia in 2015. In 2019, she was appointed as corporate director of The Mediapro Studio, Mediapro's production arm. In 2020, she became the chirf executive officer. In January 2025, she became Director General of Mediapro. She won the Goya Award for Best Film for The 47 at the 39th Goya Awards in February 2025. Description above from the Wikipedia article Laura Fernández Espeso, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

From
Benavente, Zamora, Spain
Works as
Producer
Titles
25 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 4% in 30 days

What are Laura Fernández Espeso's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
27%
Society
19%
Survival
18%
Bonds
15%
Power
15%
Ideas
3%
Morality
3%
Family bonds7 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeTrauma5 titles, browse their movies with this themeCommunity4 titles, browse their movies with this themeAmbition4 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeFame3 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 3 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 3 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 5

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 5 · Engaged 3 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
9
Dread
5
Hopeful
6
Contemplative
6
Other
20

How their films linger

Thought-provoking8 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy2
  • Bittersweet9
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Laura Fernández Espeso's films?

As of October 24, 2026, 19 of their 25 MovieCove titles stream on a subscription or free service, most on Prime Video (9).

Also on these channels

Subscription and free streaming for Laura Fernández Espeso's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 25 with a MovieCove page.

  • 5 More Minutes (not in the MovieCove catalog yet)(2027)

    Producer

  • I, Object(2026)

    Executive Producer

    Midcredits score: 37th percentile of all films (provisional, few ratings)

  • The End of It(2026)

    Producer

    Midcredits score: 56th percentile of all films

  • Barrio Esperanza (not in the MovieCove catalog yet)(2026)

    Show 8 episodes · Executive Producer

  • Lapönia (not in the MovieCove catalog yet)(2026)

    Producer

  • Aida: The Movie(2026)

    Producer

    Midcredits score: 49th percentile of all films

  • Blue Box(2026)

    Producer

    Midcredits score: 20th percentile of all films

  • Yakarta (not in the MovieCove catalog yet)(2025)

    Show 6 episodes · Executive Producer

  • The Talent(2025)

    Producer

    Midcredits score: 23rd percentile of all films

  • El mal invisible (not in the MovieCove catalog yet)(2025)

    Show 8 episodes · Executive Producer

  • How I Left the Opus Dei(2024)

    Show 4 episodes · Producer

    Midcredits score: 53rd percentile of all shows

  • Cometierra(2025)

    Show Producer

    Midcredits score: 22nd percentile of all shows

  • Hard Truths(2024)

    Co-Producer

    Midcredits score: 84th percentile of all films

  • Transmitzvah(2024)

    Executive Producer · Producer

    Midcredits score: 13th percentile of all films

  • The 47(2024)

    Producer

    Midcredits score: 93rd percentile of all films

  • Consuelo(2024)

    Show 20 episodes · Executive Producer

    Midcredits score: 74th percentile of all shows

  • Intercambiadas(2024)

    Producer

    Midcredits score: 54th percentile of all films

  • Iron Reign(2024)

    Show Producer

    Midcredits score: 25th percentile of all shows

  • The Other Side(2023)

    Show 6 episodes · Executive Producer

    Midcredits score: 49th percentile of all shows

  • Las Pelotaris(2023)

    Show Producer

    Midcredits score: 67th percentile of all shows

  • Romancero(2023)

    Show Producer

    Midcredits score: 34th percentile of all shows

  • UPA Next (not in the MovieCove catalog yet)(2022)

    Show 8 episodes · Production Executive

  • Give Me Your Eyes (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • Historias de UPA Next (not in the MovieCove catalog yet)(2022)

    Show 6 episodes · Production Executive

  • MotoGP Unlimited(2022)

    Show 8 episodes · Executive Producer

    Midcredits score: 83rd percentile of all shows

  • It Was Always Me(2022)

    Show Producer

    Midcredits score: 40th percentile of all shows

  • Primate(2022)

    Show Producer

    Midcredits score: 76th percentile of all shows

  • Official Competition(2021)

    Producer

    Midcredits score: 83rd percentile of all films

  • The Good Boss(2021)

    Producer

    Midcredits score: 85th percentile of all films

  • The Head(2020)

    Show 6 episodes · Executive Producer

    Midcredits score: 42nd percentile of all shows

  • Fernando(2020)

    Show Producer

    Midcredits score: 72nd percentile of all shows

  • Six Dreams(2018)

    Show 13 episodes · Producer

    Midcredits score: 73rd percentile of all shows

  • Joaquín Reyes: Una y no más(2017)

    Producer

    Midcredits score: 47th percentile of all films (provisional, few ratings)

  • The Days of Abandonment (not in the MovieCove catalog yet)

    Producer

  • Untitled Joan Rivers Documentary (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 23 titles, 20 of them dated from 2018 to 2026.

Biggest box office

The Good Boss (2021)

$7.3M worldwide

Highest rated

The 47 (2024)

Midcredits 93rd

Most popular right now

The Head (2020)

By role

only this rolewith another role
Producing21 of 23: 21 only producing, 0 with another role · typical Midcredits score53rdOther crew2 of 23: 2 only other crew, 0 with another role

By decade

2010s1 · crew2020s19 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Laura Fernández Espeso's films land?

Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 12; across their 9 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 9

Approval · how many liked their films

52ndpercentile
Typical film, the median of 9

Reach · how many have seen their films

90thpercentile
Typical film, the median of 9

Midcredits score across 25 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th8
  • Below 25th4

Shape of the crowd

9 of their 25 titles are Crowd Pleasers.

  • Loved with Detractors1
  • Divisive1
  • Cult Classic5
  • Crowd Pleaser9
  • Broadly Agreed2
  • Mixed7

Most divisive · producer

I, Object (2026)

92nd percentile spread · 38% rated it 4 or lower

Most loved · producer

The 47 (2024)

Midcredits 93rd · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Laura Fernández Espeso's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 15 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 35 · mildMedian of all films: 32
Profanity3 titlesmedian 69 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 33 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 27 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Laura Fernández Espeso work with?

People who share at least 2 of Laura Fernández Espeso's MovieCove titles, grouped by what they did on them; Javier Méndez shares the most, 13.

Directors

Writers

Actors

Cinematographers and editors

Producers