
María de Nati
Actor · Born January 1, 1998 (28) · Madrid, España
María de Nati was born on 11 June 1997 in Madrid, Spain. She is an actress, known for The Candidate (2018), Las Pelotaris (2023) and Wrong Side of the Tracks (2021).
Biography from IMDb.
- January 1, 1998 (28)
- Madrid, España
- Actor
- 7 on MovieCove · 19 credits in all
What are María de Nati's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Power and Society.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 2 · Stylized 2 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 1 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 2
Slow burn 0 · Even-paced 3 · Relentless 1
A split, not a type: Casual 1 · Engaged 1 · Full focus 2
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2
Resolved 1 · Open-ended 3 · Ambiguous 0
Roles they play
- Allyas Sara Bernat in Nacho (2023)
- Heroas Itzi Galarrán in Las Pelotaris (2023)
Moods and endings
- Happy2
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch María de Nati's films?
As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for María de Nati's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 7 with a MovieCove page.

She, Damned Soul (not in the MovieCove catalog yet)(2026)

For one hundred million (not in the MovieCove catalog yet)(2026)

El clan Olimpia (not in the MovieCove catalog yet)(2025)

Al otro barrio(2024)
Midcredits score: 22nd percentile of all films
¿A qué estás esperando? (not in the MovieCove catalog yet)(2024)

Las Pelotaris(2023)
Midcredits score: 67th percentile of all shows
Nacho(2023)
Midcredits score: 23rd percentile of all shows
Wrong Side of the Tracks(2021)
Midcredits score: 60th percentile of all shows
The Good Boss(2021)
Midcredits score: 85th percentile of all films
Deudas (not in the MovieCove catalog yet)(2021)

Encrucijada (not in the MovieCove catalog yet)(2020)

Madres: amor y vida (not in the MovieCove catalog yet)(2020)

Terror.app (not in the MovieCove catalog yet)(2019)

Victim Number 8 (not in the MovieCove catalog yet)(2018)

The Candidate(2018)
Midcredits score: 87th percentile of all films
Bajo la Red (not in the MovieCove catalog yet)(2018)

C.R.A.K.S. (not in the MovieCove catalog yet)(2017)

May God Save Us(2016)
Midcredits score: 87th percentile of all films
El laberinto de las mariposas (not in the MovieCove catalog yet)
Career shape
Star power in the 90th percentile of 239,109 people with a billed film role, over a full career of 19 titles, 18 of them dated from 2016 to 2026; peak year 2017.

Biggest box office
The Good Boss (2021)

Highest rated
The Candidate (2018)

Most popular right now
Nacho (2023)
Film career
Peak 2017 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 2016Screen debut· May God Save Us
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do María de Nati's films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 82nd percentile for acclaim.
- 75th and up3
- 50th to 74th2
- Below 25th2
Shape of the crowd
4 of their 7 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed1
- Mixed2
Reviewers score the acting 86/100 in their films, across 3 reviewed titles; fans 90, detractors 47. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is María de Nati's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does María de Nati work with?
People who share at least 2 of María de Nati's MovieCove titles, grouped by what they did on them; Rodrigo Sorogoyen shares the most, 2.
Directors
- Rodrigo SorogoyenShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Rodrigo Sorogoyen

Writers
- Isabel PeñaShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Isabel Peña

Actors
- Yaël BelichaShared titles: Al otro barrio (2024), The Good Boss (2021)See all 2 shared titles with Yaël Belicha
- Sonia AlmarchaShared titles: The Good Boss (2021), The Candidate (2018)See all 2 shared titles with Sonia Almarcha

- Antonio de la TorreShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Antonio de la Torre

- Luis ZaheraShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Luis Zahera

Composers, cinematographers and editors
- Alberto del CampoShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Alberto del Campo

- Alejandro de PabloShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Alejandro de Pablo

- Olivier ArsonShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Olivier Arson

Producers
- Javier PonsShared titles: Las Pelotaris (2023), The Good Boss (2021)See all 2 shared titles with Javier Pons

- Laura Fernández EspesoShared titles: Las Pelotaris (2023), The Good Boss (2021)See all 2 shared titles with Laura Fernández Espeso

- Gerardo HerreroShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Gerardo Herrero

- Javier López BlancoShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Javier López Blanco