Daniel DiMauro
Director, producer, editor, writer and cinematographer
Daniel DiMauro is a documentary film director, producer and editor from Brooklyn, NY. He is best known for Get Me Roger Stone (2017), a Netflix Original film which had its premiere at the 2017 Tribeca Film Festival. DiMauro has worked as a producer or editor on other documentaries such as Denial (2016), (T)eror (2015), The House I Live In (2012), Reagan (2011) and The King (2017).
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Biography from IMDb.
- Director, producer, editor, writer and cinematographer
- 6 on MovieCove · 9 credits in all
What are Daniel DiMauro's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 2 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 2
Resolved 2 · Open-ended 2 · Ambiguous 0
Moods and endings
- Bittersweet2
- Ambiguous2
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel DiMauro's films?
As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.
- discovery+
Subscription and free streaming for Daniel DiMauro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 6 with a MovieCove page.
Inheritance (not in the MovieCove catalog yet)(2024)
Midcredits score: 45th percentile of all shows
Trump A.C./D.C. (not in the MovieCove catalog yet)(2020)
The Swamp(2020)
Midcredits score: 67th percentile of all films
Dirty Money(2018)
Midcredits score: 87th percentile of all shows
Get Me Roger Stone(2017)
Midcredits score: 90th percentile of all films
Denial(2016)
Midcredits score: 44th percentile of all films (provisional, few ratings)
The House I Live In(2012)
Midcredits score: 97th percentile of all filmsThe Vesuvius Challenge (not in the MovieCove catalog yet)
Career shape
A full career of 7 titles, 6 of them dated from 2017 to 2024.
Biggest box office
The House I Live In (2012)
Highest rated
The House I Live In (2012)
Most popular right now
Get Me Roger Stone (2017)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Daniel DiMauro's films land?
Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
2 of their 6 titles are Crowd Pleasers.
- Universally Loved1
- Divisive1
- Crowd Pleaser2
- Broadly Agreed1
- Mixed1
Reviewers score the pacing 55/100 in their films, across 3 reviewed titles; fans 59, detractors 20. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniel DiMauro work with?
People who share at least 2 of Daniel DiMauro's MovieCove titles, grouped by what they did on them; Morgan Pehme shares the most, 3.
Directors
- Morgan PehmeShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020), Get Me Roger Stone (2017)See all 3 shared titles with Morgan Pehme
Composers, cinematographers and editors
- Kyle Scott WilsonShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020), Denial (2016)See all 3 shared titles with Kyle Scott Wilson
- Antonio RossiShared titles: The Men Who Sold the World Cup (2021), Get Me Roger Stone (2017)See all 2 shared titles with Antonio Rossi
- Marc VivesShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020)See all 2 shared titles with Marc Vives
- Stefan WiesenShared titles: The Men Who Sold the World Cup (2021), The Swamp (2020)See all 2 shared titles with Stefan Wiesen
Producers
- Shirel KozakShared titles: The Swamp (2020), Denial (2016), The House I Live In (2012)See all 3 shared titles with Shirel Kozak
- Fredrik StantonShared titles: The Swamp (2020), Get Me Roger Stone (2017)See all 2 shared titles with Fredrik Stanton
- Christopher St. JohnShared titles: Denial (2016), The House I Live In (2012)See all 2 shared titles with Christopher St. John
- Eugene JareckiShared titles: Denial (2016), The House I Live In (2012)See all 2 shared titles with Eugene Jarecki
