Dagmar Mielke

What are Dagmar Mielke's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dagmar Mielke's films?

As of October 24, 2026, none of Dagmar Mielke's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Dagmar Mielke's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Berlin Bouncer(2019)

  Producer

  Midcredits score: 44th percentile of all films44^th
• 

  Goliath96(2018)

  Producer

  Midcredits score: 38th percentile of all films38^th
• 

  The Oslo Diaries(2018)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Censored Voices(2015)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Stopped on Track(2011)

  Producer

  Midcredits score: 91st percentile of all films91^st

Career shape

Across their 5 MovieCove titles from 2011 to 2019.

Biggest box office

Stopped on Track (2011)

$710K worldwide

Highest rated

Stopped on Track (2011)

Midcredits 91^st

How do Dagmar Mielke's films land?

Their typical MovieCove film has a Midcredits score in the 82^nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 75^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

311

• Crowd Pleaser3
• Broadly Agreed1
• Mixed1

Most loved · producer

Stopped on Track (2011)

Midcredits 91^st · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dagmar Mielke work with?

People who share at least 2 of Dagmar Mielke's MovieCove titles, grouped by what they did on them; Mor Loushy shares the most, 2.