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Frederick W. Green

Producer

Works as
Producer
Titles
10 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 39% in 30 days

What are Frederick W. Green's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama4 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 27th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
36%
Bonds
21%
Survival
17%
Society
17%
Power
3%
Morality
3%
Ideas
2%
Identity3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeMemory2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 2 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 1 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 4 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 5 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Tense
5
Contemplative
4
Warm
2
Bittersweet
2
Other
7

How their films linger

Thought-provoking4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet4
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frederick W. Green's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Frederick W. Green's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

  • Italian Studies(2021)

    Producer

    Midcredits score: 11th percentile of all films

  • The Dead Don't Die(2019)

    Executive Producer

    Midcredits score: 23rd percentile of all films

  • Trespass Against Us(2016)

    Executive Producer

    Midcredits score: 31st percentile of all films

  • Kicks(2016)

    Producer

    Midcredits score: 62nd percentile of all films

  • Tramps(2016)

    Producer

    Midcredits score: 63rd percentile of all films

  • Louder Than Bombs(2015)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • It Follows(2014)

    Executive Producer

    Midcredits score: 74th percentile of all films

  • Partisan(2015)

    Producer

    Midcredits score: 40th percentile of all films

  • Short Term 12(2013)

    Executive Producer

    Midcredits score: 98th percentile of all films

  • A Prairie Home Companion(2006)

    Producer

    Midcredits score: 72nd percentile of all films

Career shape

A full career of 5 titles from 2013 to 2019.

Biggest box office

A Prairie Home Companion (2006)

$26M worldwide

Highest rated

Short Term 12 (2013)

Midcredits 98th

Most popular right now

The Dead Don't Die (2019)

By role

only this rolewith another role
Producing5 of 5: 5 only producing, 0 with another role · typical Midcredits score70th

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Frederick W. Green's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 9

Approval · how many liked their films

49thpercentile
Typical film, the median of 9

Reach · how many have seen their films

87thpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

4 of their 10 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed4

Most divisive · producer

Italian Studies (2021)

57th percentile spread · 44% rated it 4 or lower

Most loved · producer

Short Term 12 (2013)

Midcredits 98th · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Frederick W. Green's work okay for kids?

Across up to 5 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles28–45 · median 38 · moderatenear the median of all filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Frederick W. Green work with?

People who share at least 2 of Frederick W. Green's MovieCove titles, grouped by what they did on them; Joshua Astrachan shares the most, 9.

Directors

Composers and editors

Producers