Roberto Di Tanna
- Editor
- 12 on MovieCove · 22 credits in all
Known for
What are Roberto Di Tanna's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
A split, not a type: Light 5 · Serious 0 · Dark 4
Grounded 6 · Stylized 3 · Heightened 0
Gentle 2 · Charged 5 · Intense 2
A split, not a type: Steady 4 · Shifting 2 · Whiplash 3
A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 2
Slow burn 6 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 4 · Full focus 2
A split, not a type: Easy watch 3 · Affecting 2 · Heavy 4
Resolved 3 · Open-ended 5 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roberto Di Tanna's films?
As of October 24, 2026, 9 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Roberto Di Tanna's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 12 with a MovieCove page.
Dov’è la fiesta? (not in the MovieCove catalog yet)(2026)
The Big Fake(2025)
Midcredits score: 70th percentile of all films
Per te (not in the MovieCove catalog yet)(2025)
Sconfort Zone (not in the MovieCove catalog yet)(2025)
Cortina Express (not in the MovieCove catalog yet)(2024)
Still Time(2022)
Midcredits score: 72nd percentile of all films
Gigolò per caso(2023)
Midcredits score: 24th percentile of all shows
Italian Gigolo (not in the MovieCove catalog yet)(2022)
Christian(2022)
Midcredits score: 63rd percentile of all shows
The Room(2021)
Midcredits score: 32nd percentile of all films
We Are the Thousand(2020)
Midcredits score: 94th percentile of all films
The Guest (not in the MovieCove catalog yet)(2019)
Bangla(2019)
Midcredits score: 49th percentile of all films
The Trial(2019)
Midcredits score: 64th percentile of all shows
Due Piccoli Italiani (not in the MovieCove catalog yet)(2018)
Seven Women (not in the MovieCove catalog yet)(2018)
Roxanne Lowit Magic Moments (not in the MovieCove catalog yet)(2016)
Orecchie(2016)
Midcredits score: 78th percentile of all films
In fondo al bosco(2015)
Midcredits score: 53rd percentile of all films
Short Skin(2014)
Midcredits score: 55th percentile of all films
Aquadro(2013)
Midcredits score: 23rd percentile of all films
Falsos Positivos (not in the MovieCove catalog yet)(2009)
Career shape
A full career of 19 titles from 2009 to 2026.
Biggest box office
In fondo al bosco (2015)
Highest rated
Orecchie (2016)
Most popular right now
The Trial (2019)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Roberto Di Tanna's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 75th and up2
- 50th to 74th6
- 25th to 49th2
- Below 25th2
Shape of the crowd
6 of their 12 titles are Mixed.
- Universally Loved1
- Crowd Pleaser5
- Mixed6
Reviewers score the pacing 55/100 in their films, across 5 reviewed titles; fans 61, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Roberto Di Tanna's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Roberto Di Tanna work with?
People who share at least 2 of Roberto Di Tanna's MovieCove titles, grouped by what they did on them; Stefano Lodovichi shares the most, 6.
Directors
- Stefano LodovichiShared titles: The Big Fake (2025), Christian (2022), The Room (2021), The Trial (2019), In fondo al bosco (2015), Aquadro (2013)See all 6 shared titles with Stefano Lodovichi
- Alessandro AronadioShared titles: Still Time (2022), Orecchie (2016)See all 2 shared titles with Alessandro Aronadio
Writers
- Enrico AudeninoShared titles: Christian (2022), The Trial (2019)See all 2 shared titles with Enrico Audenino
- Francesco AgostiniShared titles: Christian (2022), The Room (2021)See all 2 shared titles with Francesco Agostini
- Renato SannioShared titles: Christian (2022), Still Time (2022)See all 2 shared titles with Renato Sannio
- Valerio CilioShared titles: Christian (2022), Orecchie (2016)See all 2 shared titles with Valerio Cilio
Actors
- Edoardo PesceShared titles: The Big Fake (2025), Christian (2022), The Room (2021)See all 3 shared titles with Edoardo Pesce
- Camilla FilippiShared titles: The Room (2021), The Trial (2019), In fondo al bosco (2015)See all 3 shared titles with Camilla Filippi
- Claudio SantamariaShared titles: The Big Fake (2025), Christian (2022)See all 2 shared titles with Claudio Santamaria
- Antonio BannòShared titles: Gigolò per caso (2023), Christian (2022)See all 2 shared titles with Antonio Bannò
Composers and cinematographers
- Benjamin MaierShared titles: Christian (2022), The Trial (2019), In fondo al bosco (2015), Aquadro (2013)See all 4 shared titles with Benjamin Maier
- Giorgio GiampàShared titles: Christian (2022), The Room (2021), We Are the Thousand (2020), The Trial (2019)See all 4 shared titles with Giorgio Giampà
- Emanuele PasquetShared titles: The Big Fake (2025), Gigolò per caso (2023), Christian (2022)See all 3 shared titles with Emanuele Pasquet
- Santi PulvirentiShared titles: The Big Fake (2025), Still Time (2022), Orecchie (2016)See all 3 shared titles with Santi Pulvirenti
Producers
- Tommaso ArrighiShared titles: Gigolò per caso (2023), Christian (2022), The Room (2021), The Trial (2019), Aquadro (2013)See all 5 shared titles with Tommaso Arrighi
- Andrea OcchipintiShared titles: Gigolò per caso (2023), Christian (2022), The Room (2021), The Trial (2019)See all 4 shared titles with Andrea Occhipinti
- Mattia GuerraShared titles: Gigolò per caso (2023), Christian (2022), The Room (2021), The Trial (2019)See all 4 shared titles with Mattia Guerra
- Nicolò ForteShared titles: Gigolò per caso (2023), Christian (2022), The Room (2021), The Trial (2019)See all 4 shared titles with Nicolò Forte