Santi Pulvirenti
Composer · Born March 12, 1973 (53) · Catania, Italy
- March 12, 1973 (53)
- Catania, Italy
- Composer
- 13 on MovieCove · 23 credits in all
What are Santi Pulvirenti's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 9
A split, not a type: Light 6 · Serious 2 · Dark 2
Grounded 7 · Stylized 3 · Heightened 0
A split, not a type: Gentle 5 · Charged 3 · Intense 2
Steady 3 · Shifting 4 · Whiplash 3
Straight-faced 4 · Some laughs 4 · Funny 2
A split, not a type: Slow burn 6 · Even-paced 3 · Relentless 1
A split, not a type: Casual 5 · Engaged 2 · Full focus 3
A split, not a type: Easy watch 5 · Affecting 4 · Heavy 1
Resolved 6 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet8
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Santi Pulvirenti's films?
As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (3).
Subscription and free streaming for Santi Pulvirenti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 13 with a MovieCove page.

King Marracash(2026)
Midcredits score: 95th percentile of all films
God Forgives Everyone (not in the MovieCove catalog yet)(2026)

Lo Scuru (not in the MovieCove catalog yet)(2026)

Qualcosa di Lilla(2026)
Midcredits score: 76th percentile of all films (provisional, few ratings)
The Big Fake(2025)
Midcredits score: 70th percentile of all films
Per te (not in the MovieCove catalog yet)(2025)

Mrs Playmen(2025)
Midcredits score: 43rd percentile of all shows
Vanina(2024)
Midcredits score: 38th percentile of all shows
Still Time(2022)
Midcredits score: 72nd percentile of all films
Last Night of Amore(2023)
Midcredits score: 87th percentile of all films
Bang Bang Baby(2022)
Midcredits score: 45th percentile of all shows
The Italian Recipe (not in the MovieCove catalog yet)(2022)
Midcredits score: 58th percentile of all films
Just Believe (not in the MovieCove catalog yet)(2018)

Mafia Only Kills in Summer (not in the MovieCove catalog yet)(2016)

At War with Love(2016)
Midcredits score: 80th percentile of all films
Orecchie(2016)
Midcredits score: 78th percentile of all filmsLooking for Kadija (not in the MovieCove catalog yet)(2014)

Io rom romantica (not in the MovieCove catalog yet)(2014)

Well-Off People (not in the MovieCove catalog yet)(2014)
Midcredits score: 87th percentile of all films
La guerra dei vulcani(2012)
Midcredits score: 48th percentile of all films
One Life, Maybe Two (not in the MovieCove catalog yet)(2010)
Career shape
A full career of 20 titles from 2010 to 2026.

Biggest box office
The Mafia Kills Only in Summer (2013)

Highest rated
King Marracash (2026)

Most popular right now
Mrs Playmen (2025)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Santi Pulvirenti's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up6
- 50th to 74th3
- 25th to 49th4
Shape of the crowd
9 of their 13 titles are Crowd Pleasers.
- Crowd Pleaser9
- Broadly Agreed1
- Mixed3
Reviewers score the sound and music 79/100 in their films, across 4 reviewed titles; fans 83, detractors 73. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Santi Pulvirenti work with?
People who share at least 2 of Santi Pulvirenti's MovieCove titles, grouped by what they did on them; Pif shares the most, 3.
Directors
- PifShared titles: E noi come stronzi rimanemmo a guardare (2021), At War with Love (2016), The Mafia Kills Only in Summer (2013)See all 3 shared titles with Pif

- Alessandro AronadioShared titles: Still Time (2022), Orecchie (2016)See all 2 shared titles with Alessandro Aronadio
Writers
- Michele AstoriShared titles: E noi come stronzi rimanemmo a guardare (2021), At War with Love (2016), The Mafia Kills Only in Summer (2013)See all 3 shared titles with Michele Astori

- Chiara LaudaniShared titles: Mrs Playmen (2025), La guerra dei vulcani (2012)See all 2 shared titles with Chiara Laudani

- Marco MartaniShared titles: At War with Love (2016), The Mafia Kills Only in Summer (2013)See all 2 shared titles with Marco Martani

Actors
- Maurizio MarchettiShared titles: E noi come stronzi rimanemmo a guardare (2021), At War with Love (2016), The Mafia Kills Only in Summer (2013)See all 3 shared titles with Maurizio Marchetti

- Andrea PurgatoriShared titles: Still Time (2022), Orecchie (2016)See all 2 shared titles with Andrea Purgatori

- Massimo WertmüllerShared titles: Still Time (2022), Orecchie (2016)See all 2 shared titles with Massimo Wertmüller

- Maurizio BolognaShared titles: E noi come stronzi rimanemmo a guardare (2021), At War with Love (2016)See all 2 shared titles with Maurizio Bologna

Cinematographers and editors
- Roberto Di TannaShared titles: The Big Fake (2025), Still Time (2022), Orecchie (2016)See all 3 shared titles with Roberto Di Tanna
- Roberto ForzaShared titles: Still Time (2022), At War with Love (2016), The Mafia Kills Only in Summer (2013)See all 3 shared titles with Roberto Forza

Producers
- Lorenzo MieliShared titles: E noi come stronzi rimanemmo a guardare (2021), At War with Love (2016), The Mafia Kills Only in Summer (2013)See all 3 shared titles with Lorenzo Mieli

- Mario GiananiShared titles: E noi come stronzi rimanemmo a guardare (2021), At War with Love (2016), The Mafia Kills Only in Summer (2013)See all 3 shared titles with Mario Gianani

- Carlo Degli EspostiShared titles: Vanina (2024), Still Time (2022)See all 2 shared titles with Carlo Degli Esposti
- Nicola SerraShared titles: Vanina (2024), Still Time (2022)See all 2 shared titles with Nicola Serra

Mixed roles
- Andrea Di StefanoShared titles: Last Night of Amore (2023), At War with Love (2016)See all 2 shared titles with Andrea Di Stefano


