
Tarik Karam
- Producer
- 4 on MovieCove
What are Tarik Karam's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tarik Karam's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Tarik Karam's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.

Fastest Car(2018)
Midcredits score: 46th percentile of all shows
The House of Tomorrow(2017)
Midcredits score: 53rd percentile of all films
Midcredits score: 71st percentile of all films
The Reader(2008)
Midcredits score: 93rd percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2008 to 2018.
How do Tarik Karam's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Tarik Karam's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Tarik Karam work with?
People who share at least 2 of Tarik Karam's MovieCove titles, grouped by what they did on them; Stephen Daldry shares the most, 2.
Directors
- Stephen DaldryShared titles: Extremely Loud & Incredibly Close (2011), The Reader (2008)See all 2 shared titles with Stephen Daldry

Cinematographers and editors
- Chris MengesShared titles: Extremely Loud & Incredibly Close (2011), The Reader (2008)See all 2 shared titles with Chris Menges

- Claire SimpsonShared titles: Extremely Loud & Incredibly Close (2011), The Reader (2008)See all 2 shared titles with Claire Simpson

Producers
- Marieke SpencerShared titles: Extremely Loud & Incredibly Close (2011), The Reader (2008)See all 2 shared titles with Marieke Spencer
- Nora SkinnerShared titles: Extremely Loud & Incredibly Close (2011), The Reader (2008)See all 2 shared titles with Nora Skinner