Nora Skinner

What are Nora Skinner's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nora Skinner's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Doubt (2008) · producer
• Tubi1 title, browse their movies on this service
  • The Reader (2008) · producer · free

Subscription and free streaming for Nora Skinner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Me and Earl and the Dying Girl(2015)

  Executive Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Extremely Loud & Incredibly Close(2011)

  Executive Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Doubt(2008)

  Associate Producer

  Midcredits score: 94th percentile of all films94^th
• 

  The Reader(2008)

  Producer

  Midcredits score: 93rd percentile of all films93^rd

Career shape

A full career of 3 titles from 2008 to 2015.

Biggest box office

The Reader (2008)

$109M worldwide

Highest rated

Me and Earl and the Dying Girl (2015)

Midcredits 97^th

How do Nora Skinner's films land?

Their typical MovieCove film has a Midcredits score in the 94^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 90^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Universally Loved.

31

• Universally Loved3
• Crowd Pleaser1

Most loved · producer

Me and Earl and the Dying Girl (2015)

Midcredits 97^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nora Skinner's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Nora Skinner work with?

People who share at least 2 of Nora Skinner's MovieCove titles, grouped by what they did on them; Stephen Daldry shares the most, 2.