- Producer and writer
- 7 on MovieCove · 13 credits in all
Known for
What are Eduardo Villanueva's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 1 · Dark 3
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 2
Resolved 1 · Open-ended 3 · Ambiguous 0
Moods and endings
- Bittersweet1
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Eduardo Villanueva's films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Eduardo Villanueva's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 7 with a MovieCove page.
The Castle (not in the MovieCove catalog yet)(2026)
The Beloved(2026)
Midcredits score: 88th percentile of all films
Flores para Antonio(2025)
Midcredits score: 92nd percentile of all films
The Wailing(2024)
Midcredits score: 40th percentile of all films
La Ruta (not in the MovieCove catalog yet)(2022)
The Beasts(2022)
Midcredits score: 96th percentile of all films
Vi är barn av vår tid - En film om Nationalteatern (not in the MovieCove catalog yet)(2021)
Riot Police (not in the MovieCove catalog yet)(2020)
Una Situación Extraordinaria (not in the MovieCove catalog yet)(2020)
Mother(2019)
Midcredits score: 66th percentile of all films
You Cannot Hide(2019)
Midcredits score: 31st percentile of all shows
Time without Pulse (not in the MovieCove catalog yet)(2016)
Stockholm(2013)
Midcredits score: 72nd percentile of all films
Career shape
A full career of 11 titles from 2013 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Eduardo Villanueva's films land?
Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
None of their 7 titles divides audiences: 4 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser4
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 56/100 and the plot and story 55/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Eduardo Villanueva work with?
People who share at least 2 of Eduardo Villanueva's MovieCove titles, grouped by what they did on them; Isabel Peña shares the most, 4.
Directors
- Rodrigo SorogoyenShared titles: The Beasts (2022), Mother (2019), Stockholm (2013)See all 3 shared titles with Rodrigo Sorogoyen
Writers
- Isabel PeñaShared titles: The Wailing (2024), The Beasts (2022), Mother (2019), Stockholm (2013)See all 4 shared titles with Isabel Peña
Composers, cinematographers and editors
- Alejandro de PabloShared titles: The Beasts (2022), Mother (2019), You Cannot Hide (2019), Stockholm (2013)See all 4 shared titles with Alejandro de Pablo
- Olivier ArsonShared titles: The Wailing (2024), The Beasts (2022), Mother (2019)See all 3 shared titles with Olivier Arson
- Alberto del CampoShared titles: The Beasts (2022), Mother (2019), Stockholm (2013)See all 3 shared titles with Alberto del Campo
Producers
- Jérôme VidalShared titles: The Wailing (2024), The Beasts (2022), Mother (2019)See all 3 shared titles with Jérôme Vidal
- Nacho LavillaShared titles: The Wailing (2024), The Beasts (2022)See all 2 shared titles with Nacho Lavilla
- Pedro Martín-CaleroShared titles: The Wailing (2024), Stockholm (2013)See all 2 shared titles with Pedro Martín-Calero
- Anne-Laure LabadieShared titles: The Beasts (2022), Mother (2019)See all 2 shared titles with Anne-Laure Labadie