
Olivier Arson
Composer · Paris, France
Olivier Arson was born in 1979 in Paris, France. He is a composer, known for The Beasts (2022), The Candidate (2018) and May God Save Us (2016).
Biography from IMDb.
- Paris, France
- Composer
- 9 on MovieCove
What are Olivier Arson's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 0 · Serious 1 · Dark 7
Grounded 5 · Stylized 3 · Heightened 0
Gentle 0 · Charged 2 · Intense 6
Steady 0 · Shifting 8 · Whiplash 0
Straight-faced 8 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 5 · Even-paced 2 · Relentless 1
A split, not a type: Casual 1 · Engaged 3 · Full focus 4
Easy watch 0 · Affecting 1 · Heavy 7
Resolved 0 · Open-ended 7 · Ambiguous 1
Moods and endings
- Bittersweet2
- Tragic1
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Olivier Arson's films?
As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Olivier Arson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 9 with a MovieCove page.

The Beloved(2026)
Midcredits score: 88th percentile of all films
See You in Another Life(2024)
Midcredits score: 77th percentile of all shows
The Wailing(2024)
Midcredits score: 40th percentile of all films
Piggy(2022)
Midcredits score: 53rd percentile of all films
The Bad Family(2022)
Midcredits score: 48th percentile of all films
The Beasts(2022)
Midcredits score: 96th percentile of all films
Mother(2019)
Midcredits score: 66th percentile of all films
The Candidate(2018)
Midcredits score: 87th percentile of all films
May God Save Us(2016)
Midcredits score: 87th percentile of all films
Career shape
Across their 9 MovieCove titles from 2016 to 2026.
How do Olivier Arson's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
None of their 9 titles divides audiences: 5 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser5
- Broadly Agreed2
- Mixed1
Reviewers score the sound and music 59/100 in their films, across 6 reviewed titles; fans 71, detractors 60. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Olivier Arson's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Olivier Arson work with?
People who share at least 2 of Olivier Arson's MovieCove titles, grouped by what they did on them; Isabel Peña shares the most, 6.
Directors
- Rodrigo SorogoyenShared titles: The Beloved (2026), The Beasts (2022), Mother (2019), The Candidate (2018), May God Save Us (2016)See all 5 shared titles with Rodrigo Sorogoyen

Writers
- Isabel PeñaShared titles: The Beloved (2026), The Wailing (2024), The Beasts (2022), Mother (2019), The Candidate (2018), May God Save Us (2016)See all 6 shared titles with Isabel Peña

Actors
- Raúl PrietoShared titles: The Beloved (2026), Mother (2019), May God Save Us (2016)See all 3 shared titles with Raúl Prieto

- Luis ZaheraShared titles: The Beasts (2022), The Candidate (2018), May God Save Us (2016)See all 3 shared titles with Luis Zahera

- Malena VillaShared titles: The Beloved (2026), The Wailing (2024)See all 2 shared titles with Malena Villa

- Marina FoïsShared titles: The Beloved (2026), The Beasts (2022)See all 2 shared titles with Marina Foïs

Cinematographers and editors
- Alberto del CampoShared titles: The Beloved (2026), The Beasts (2022), Mother (2019), The Candidate (2018), May God Save Us (2016)See all 5 shared titles with Alberto del Campo

- Alejandro de PabloShared titles: The Beloved (2026), The Beasts (2022), Mother (2019), The Candidate (2018), May God Save Us (2016)See all 5 shared titles with Alejandro de Pablo

Producers
- Eduardo VillanuevaShared titles: The Wailing (2024), The Beasts (2022), Mother (2019)See all 3 shared titles with Eduardo Villanueva

- Jérôme VidalShared titles: The Wailing (2024), The Beasts (2022), Mother (2019)See all 3 shared titles with Jérôme Vidal

- Anne-Laure LabadieShared titles: The Beasts (2022), Mother (2019), The Candidate (2018)See all 3 shared titles with Anne-Laure Labadie
- Jean LabadieShared titles: The Beasts (2022), Mother (2019), The Candidate (2018)See all 3 shared titles with Jean Labadie


