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Olivier Arson

Olivier Arson

Composer · Paris, France

Olivier Arson was born in 1979 in Paris, France. He is a composer, known for The Beasts (2022), The Candidate (2018) and May God Save Us (2016).

Biography from IMDb.

From
Paris, France
Works as
Composer
Titles
9 on MovieCove

What are Olivier Arson's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 7

Grounded 5 · Stylized 3 · Heightened 0

Gentle 0 · Charged 2 · Intense 6

Steady 0 · Shifting 8 · Whiplash 0

Straight-faced 8 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 5 · Even-paced 2 · Relentless 1

A split, not a type: Casual 1 · Engaged 3 · Full focus 4

Easy watch 0 · Affecting 1 · Heavy 7

Resolved 0 · Open-ended 7 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
5
Melancholic
5
Hopeful
2
Bittersweet
1
Other
3

How their films end · 1 with a twist

  • Bittersweet2
  • Tragic1
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Olivier Arson's films?

As of October 24, 2026, 8 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Olivier Arson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • The Beloved(2026)

    Composer

    Midcredits score: 88th percentile of all films
  • See You in Another Life(2024)

    Show Composer

    Midcredits score: 77th percentile of all shows
  • The Wailing(2024)

    Composer

    Midcredits score: 40th percentile of all films
  • Piggy(2022)

    Composer

    Midcredits score: 53rd percentile of all films
  • The Bad Family(2022)

    Composer

    Midcredits score: 48th percentile of all films
  • The Beasts(2022)

    Composer

    Midcredits score: 96th percentile of all films
  • Mother(2019)

    Composer

    Midcredits score: 66th percentile of all films
  • The Candidate(2018)

    Composer

    Midcredits score: 87th percentile of all films
  • May God Save Us(2016)

    Composer

    Midcredits score: 87th percentile of all films

Career shape

Across their 9 MovieCove titles from 2016 to 2026.

By role

only this rolewith another role
Music9 of 9: 9 only music, 0 with another role · typical Midcredits score77th

By decade

2010s3 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Olivier Arson's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 8

Approval · how many liked their films

73rdpercentile
Typical film, the median of 8

Reach · how many have seen their films

91stpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th2

Shape of the crowd

None of their 9 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed1

Reviewers score the sound and music 59/100 in their films, across 6 reviewed titles; fans 71, detractors 60. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Olivier Arson's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 63 · intenseMedian of all films: 44
Sex & Nudity5 titles39–61 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 55 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 56 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 62 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Olivier Arson work with?

People who share at least 2 of Olivier Arson's MovieCove titles, grouped by what they did on them; Isabel Peña shares the most, 6.

Directors

Writers

Actors

Cinematographers and editors

Producers