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Fernanda Del Nido

Fernanda Del Nido

Producer · Buenos Aires, Argentina

Fernanda del Nido (Buenos Aires, 1974). After graduating from Social Sciences at the University of Buenos Aires she pursued postgraduate studies in executive production and manager of audiovisual media in Spain. She is a EAVE graduated (European Audiovisual Entrepreneurs), and also has participated in EAVE-Puentes & EAVE-Ties that Bind. Fernanda del Nido is member of ACE since 2012 (Ateliers du Cinema Européen). In 2006 she founded Tic Tac Producciones_, based in Spain, from where she has produced and coproduced several fiction films and documentaries: Polvo (2012)_ by Julio Hernández Cordón, Tralas Luces (2011)_ by Sandra Sánchez, 18 comidas (2010)_ by Jorge Coira, Agua fria de mar (2010)_ by Paz Fabrega, among others. Since 2014, she started a new adventure in Setembro Cine_ a production company based in Catalunya, Spain. Setembro Cine_ is coproducing the feature film Princesita (2016)_ by Marialy Rivas, "Una mujer fantástica" (A fantastic women) by Sebastián Lelio and the latest film by Pablo Larraín, Neruda (2016)_.

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Biography from IMDb.

From
Buenos Aires, Argentina
Works as
Producer
Titles
7 on MovieCove · 12 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 24% in 30 days

What are Fernanda Del Nido's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy3 titlesTypical Midcredits score: 57th percentile
: browse their Comedy movies
Drama2 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
43%
Bonds
19%
Survival
14%
Power
13%
Morality
8%
Society
4%
Identity3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 0 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 1 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 3 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 4 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
3
Warm
2
Bittersweet
2
Absurd
2
Other
5

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet2
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fernanda Del Nido's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Fernanda Del Nido's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 7 with a MovieCove page.

  • Surfacing (not in the MovieCove catalog yet)(2025)

    Executive Producer · Producer

  • The Wailing(2024)

    Executive Producer · Producer

    Midcredits score: 40th percentile of all films

  • Blondi(2023)

    Producer

    Midcredits score: 73rd percentile of all films

  • 15 Ways to Kill Your Neighbour(2022)

    Producer

    Midcredits score: 44th percentile of all films

  • Lost & Found(2022)

    Producer

    Midcredits score: 21st percentile of all films

  • Rosa's Wedding(2020)

    Executive Producer · Producer

    Midcredits score: 57th percentile of all films

  • Princesita (not in the MovieCove catalog yet)(2017)

    Co-Producer

  • A Fantastic Woman(2017)

    Producer

    Midcredits score: 86th percentile of all films

  • Neruda(2016)

    Producer

    Midcredits score: 75th percentile of all films

  • Dust (not in the MovieCove catalog yet)(2012)

    Producer

  • 18 Meals (not in the MovieCove catalog yet)(2010)

    Executive Producer · Producer

  • Zola (not in the MovieCove catalog yet)

    Co-Producer

Career shape

A full career of 8 titles, 7 of them dated from 2010 to 2025.

Biggest box office

Neruda (2016)

$3.9M worldwide

Highest rated

A Fantastic Woman (2017)

Midcredits 86th

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role

By decade

2010s3 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Fernanda Del Nido's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 7

Approval · how many liked their films

52ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

85thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 7 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed1

Most loved · producer

A Fantastic Woman (2017)

Midcredits 86th · 73% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Fernanda Del Nido work with?

People who share at least 2 of Fernanda Del Nido's MovieCove titles, grouped by what they did on them; Cristina Zumárraga shares the most, 3.

Actors

Cinematographers and editors

Producers

Mixed roles