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Armando Bo

Armando Bo

Producer, writer, director and editor · Born December 9, 1978 (47) · Buenos Aires, Argentina

Armando Bo Jr. is an Argentine screenwriter and film director. He won the Academy Award for Best Original Screenplay for the 2014 film Birdman at the 87th Academy Awards in 2015, together with director Alejandro G. Iñárritu, Alexander Dinelaris Jr., and Bo's cousin Nicolás Giacobone. He also directed the Qualcomm-distributed short film Lifeline in 2016, which was also a Best of Branded Entertainment winner at the 2017 One Show Awards. He is the son of Victor Bo, and grandson of Armando Bo.

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Biography from TMDB.

Born
December 9, 1978 (47)
From
Buenos Aires, Argentina
Works as
Producer, writer, director and editor
Titles
7 on MovieCove · 11 credits in all
TMDB popularity, last 37 days to Oct 26Down 16% in 30 days

What are Armando Bo's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
37%
Survival
19%
Society
15%
Ideas
12%
Bonds
9%
Morality
8%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 6

A split, not a type: Grounded 3 · Stylized 2 · Heightened 1

Gentle 0 · Charged 2 · Intense 4

Steady 2 · Shifting 3 · Whiplash 1

Straight-faced 5 · Some laughs 0 · Funny 1

A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 1

Casual 0 · Engaged 5 · Full focus 1

Easy watch 0 · Affecting 1 · Heavy 5

Resolved 2 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
3
Elegiac
2
Dread
1
Bittersweet
2
Other
5

How their films end

  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Armando Bo's films?

As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

Subscription and free streaming for Armando Bo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 7 with a MovieCove page.

  • Barreda(2026)

    Producer

    Midcredits score: 59th percentile of all films
  • MORIA (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Always Night (not in the MovieCove catalog yet)(2025)

    Producer

  • Midcredits score: 91st percentile of all films
  • The President(2020)

    Show 8 episodes · Director · Executive Producer · Writer

    Midcredits score: 59th percentile of all shows
  • Animal(2018)

    Director · Producer · Screenplay

    Midcredits score: 54th percentile of all films
  • Midcredits score: 94th percentile of all films
  • The Last Elvis(2012)

    Director · Editor · Producer · Screenplay

    Midcredits score: 78th percentile of all films
  • Biutiful(2010)

    Writer

    Midcredits score: 91st percentile of all films
  • Las Malas (not in the MovieCove catalog yet)

    Director · Producer · Screenplay

  • Time Fate Love (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 11 titles, 9 of them dated from 2010 to 2026.

By role

only this rolewith another role
Directing4 of 11: 0 only directing, 4 with another roleWriting6 of 11: 2 only writing, 4 with another role · typical Midcredits score78thProducing9 of 11: 5 only producing, 4 with another role · typical Midcredits score59thEditing1 of 11: 0 only editing, 1 with another role

11 titles, 4 with more than one role — producing and writing overlap on 4 of them.

By decade

2010s4 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Armando Bo's films land?

Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 6

Approval · how many liked their films

85thpercentile
Typical film, the median of 6

Reach · how many have seen their films

79thpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 75th and up4
  • 50th to 74th3

Shape of the crowd

None of their 7 titles divides audiences: 3 are Universally Loved.

  • Universally Loved3
  • Crowd Pleaser3
  • Broadly Agreed1

Reviewers score the dialogue 56/100 and the plot and story 46/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Armando Bo work with?

People who share at least 2 of Armando Bo's MovieCove titles, grouped by what they did on them; Nicolás Giacobone shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers