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Katrin Gebbe

Katrin Gebbe

Director and writer · Born January 1, 1983 (43) · Ibbenbüren, Germany

Cannes award nominee · Venice award nominee

Katrin Gebbe is a German film director and screenwriter. Her feature film début ″Nothing Bad Can Happen/Tore tanzt" (2013) tells the story of a Hamburg Jesus Freak. The film received an invitation from the Un Certain Regard section at the 66th Cannes Film Festival.

Biography from TMDB.

Born
January 1, 1983 (43)
From
Ibbenbüren, Germany
Works as
Director and writer
Titles
5 on MovieCove · 8 credits in all
TMDB popularity, last 156 days to Oct 27Down 15% in 30 days

What are Katrin Gebbe's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
35%
Survival
29%
Society
16%
Bonds
13%
Self
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 0 · Charged 1 · Intense 2

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 0 · Open-ended 2 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
3
Melancholic
2
Cold
1
Thrilling
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Katrin Gebbe's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Katrin Gebbe's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • A Thousand Blows(2024)

    Show 3 episodes · Director

    Midcredits score: 63rd percentile of all shows
  • Pelican Blood(2019)

    Director · Writer

    Midcredits score: 45th percentile of all films
  • The Field Guide to Evil(2018)

    Director · Writer

    Midcredits score: 14th percentile of all films
  • Nothing Bad Can Happen(2013)

    Director · Writer

    Midcredits score: 73rd percentile of all films
  • Narzissen (not in the MovieCove catalog yet)(2007)

    Director

  • Tatort(1970)

    Show 1 episode · Director

    Midcredits score: 43rd percentile of all shows
  • Einladung (not in the MovieCove catalog yet)

    Director

  • Sores & Sîrîn (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 8 titles, 6 of them dated from 1970 to 2025.

By role

only this rolewith another role
Directing8 of 8: 6 only directing, 2 with another role · typical Midcredits score45thWriting2 of 8: 0 only writing, 2 with another role

By decade

1970s1 · crew2000s1 · crew2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

3 major nominations and no wins, 2013–2019.

  1. 2019
    • Venice award, nominated · Best Film
  2. 2013
    • Cannes award, nominated ×2

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Katrin Gebbe's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 3

Approval · how many liked their films

42ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

70thpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Reviewers score the atmosphere 72/100 and the pacing 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Katrin Gebbe's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 60 · intenseMedian of all films: 32
Frightening / Intense3 titlesmedian 80 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Katrin Gebbe work with?

People who share at least 2 of Katrin Gebbe's MovieCove titles, grouped by what they did on them; Heike Gnida shares the most, 2.

Composers, cinematographers and editors

Producers