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Katharina Dufner

Producer · Karlsruhe, Baden-Württemberg, West Germany

Katharina Dufner was born in 1973 in Karlsruhe, Baden-Württemberg, West Germany. She is a producer and editor, known for I'm Your Man (2021), Rammbock: Berlin Undead (2010) and Romeos (2011).

Biography from IMDb.

From
Karlsruhe, Baden-Württemberg, West Germany
Works as
Producer
Titles
11 on MovieCove · 19 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Down 25% in 30 days

What are Katharina Dufner's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Crime3 titlesTypical Midcredits score: 56th percentile
: browse their Crime movies
Drama3 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
31%
Survival
25%
Self
18%
Morality
18%
Society
7%
Ideas
2%
Family bonds4 titles, browse their movies with this themeSacrifice3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeViolence2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 2 · Dark 6

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 9 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 5 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 6 · Full focus 0

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 3 · Heavy 6

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
5
Dread
4
Contemplative
4
Hopeful
2
Other
5

How their films linger

Unsettling4 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet3
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Katharina Dufner's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on Netflix (3).

Also on these channels

Subscription and free streaming for Katharina Dufner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 11 with a MovieCove page.

  • The Policeman's Niece (not in the MovieCove catalog yet)(2025)

    Commissioning Editor

  • Treasure(2024)

    Commissioning Editor · Producer

    Midcredits score: 55th percentile of all films

  • 15 Jahre(2023)

    Commissioning Editor

    Midcredits score: 43rd percentile of all films

  • Hellground(2022)

    Show Producer

    Midcredits score: 24th percentile of all shows

  • Sugarlove (not in the MovieCove catalog yet)(2021)

    Commissioning Editor

  • I'm Your Man(2021)

    Producer

    Midcredits score: 84th percentile of all films

  • And Tomorrow the Entire World(2020)

    Producer

    Midcredits score: 56th percentile of all films

  • Pelican Blood(2019)

    Producer

    Midcredits score: 45th percentile of all films

  • Blochin – Die Lebenden und die Toten (not in the MovieCove catalog yet)(2015)

    Show 5 episodes · Producer

  • 300 Worte Deutsch (not in the MovieCove catalog yet)(2015)

    Editorial Staff

  • My Skinny Sister(2015)

    Co-Producer

    Midcredits score: 68th percentile of all films

  • Line of Separation (not in the MovieCove catalog yet)(2015)

    Show 3 episodes · Commissioning Editor

  • Alles muss raus (not in the MovieCove catalog yet)(2014)

    Show 2 episodes · Executive Producer

  • Los Ángeles(2014)

    Producer

    Midcredits score: 52nd percentile of all films

  • Nothing Bad Can Happen(2013)

    Producer

    Midcredits score: 73rd percentile of all films

  • Die Löwin (not in the MovieCove catalog yet)(2012)

    Producer

  • Romeos(2011)

    Producer

    Midcredits score: 72nd percentile of all films

  • Rammbock: Berlin Undead(2010)

    Editor · Producer

    Midcredits score: 51st percentile of all films

  • Chameleon (not in the MovieCove catalog yet)

    Commissioning Editor

Career shape

A full career of 13 titles, 12 of them dated from 2010 to 2025.

Biggest box office

Treasure (2024)

$1.7M worldwide

Highest rated

I'm Your Man (2021)

Midcredits 84th

By role

only this rolewith another role
Producing5 of 13: 5 only producing, 0 with another roleEditing1 of 13: 1 only editing, 0 with another roleOther crew7 of 13: 7 only other crew, 0 with another role

By decade

2010s8 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Katharina Dufner's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 9

Approval · how many liked their films

61stpercentile
Typical film, the median of 9

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up1
  • 50th to 74th7
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

7 of their 11 titles are Mixed.

  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed7

Most divisive · producer

Los Ángeles (2014)

65th percentile spread · 20% rated it 4 or lower

Most loved · producer

I'm Your Man (2021)

Midcredits 84th · 74% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Katharina Dufner work with?

People who share at least 2 of Katharina Dufner's MovieCove titles, grouped by what they did on them; Moritz Schultheiß shares the most, 5.

Directors

Writers

Cinematographers and editors

Producers