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Alexandra Moss

Producer · USA

Ali Moss is an Emmy-nominated documentary filmmaker with 18 years of experience telling true stories about other people’s lives-who has now turned the lens on herself. She is writing an essay collection about raising a trans kid in Trump’s America. Ali’s latest Emmy-nominated feature film, No Accident (HBO/MAX), premiered in October 2023. Other recent documentaries include the Oscar-nominated The Barber of Little Rock (The New Yorker 2024), Fauci (Disney+/Telluride 2021), Yusuf Hawkins: Storm Over Brooklyn (HBO/Tribeca 2020), and the Emmy-nominated feature Not Done: Women Remaking America (PBS 2020). She is honored to have been a 2020 Impact Partners Producing Fellow and to have been named to DocNYC’s 2021 list of 40 Under 40. Her writing about her family has been published in The New York Times, Slate, Electric Literature, HuffPost, Buzzfeed, and more.

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Biography from IMDb.

From
USA
Works as
Producer
Titles
10 on MovieCove

What are Alexandra Moss' films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Ideas and Society.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 3

Grounded 6 · Stylized 1 · Heightened 0

A split, not a type: Gentle 4 · Charged 2 · Intense 1

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced 7 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 6 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
7
Hopeful
5
Tense
3
Dread
2
Melancholic
2
Other
5

How their films end

  • Happy1
  • Bittersweet3
  • Ambiguous5
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexandra Moss' films?

As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on HBO Max (3).

Subscription and free streaming for Alexandra Moss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

Career shape

Across their 10 MovieCove titles from 2009 to 2023.

By role

only this rolewith another role
Producing10 of 10: 10 only producing, 0 with another role · typical Midcredits score70th

By decade

2000s1 · crew2010s8 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Alexandra Moss' films land?

Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 7

Approval · how many liked their films

72ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

20thpercentile
Typical film, the median of 7

Midcredits score across 10 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alexandra Moss work with?

People who share at least 2 of Alexandra Moss' MovieCove titles, grouped by what they did on them; John Hoffman shares the most, 9.

Directors

Cinematographers and editors

Producers

Mixed roles