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MovieCove
Dyanna Taylor

Dyanna Taylor

Cinematographer

Works as
Cinematographer
Titles
16 on MovieCove · 35 credits in all

What are Dyanna Taylor's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 4 · Dark 5

Grounded 12 · Stylized 1 · Heightened 0

Gentle 3 · Charged 7 · Intense 2

Steady 10 · Shifting 2 · Whiplash 0

Straight-faced 12 · Some laughs 0 · Funny 1

Slow burn 7 · Even-paced 6 · Relentless 0

Casual 5 · Engaged 6 · Full focus 2

Resolved 12 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
11
Melancholic
9
Hopeful
6
Tense
4
Elegiac
3
Other
8

How their films end

  • Bittersweet9
  • Tragic1
  • Ambiguous2
  • Cyclical2
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dyanna Taylor's films?

As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Dyanna Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 16 with a MovieCove page.

  • Midcredits score: 99th percentile of all films (provisional, few ratings)
  • Gabby Giffords Won't Back Down(2022)

    Cinematographer

    Midcredits score: 80th percentile of all films
  • Love Is Love Is Love(2020)

    Camera Operator

    Midcredits score: 14th percentile of all films
  • The People vs. Agent Orange(2020)

    Cinematographer

    Midcredits score: 90th percentile of all films
  • Songs of Ascension (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • Who Will Write Our History(2018)

    Cinematographer

    Midcredits score: 90th percentile of all films
  • Memories of Miss O'Keeffe (not in the MovieCove catalog yet)(2017)

    Cinematographer

  • Behold the Earth(2017)

    Cinematographer

    Midcredits score: 10th percentile of all films (provisional, few ratings)
  • Dorothea Lange: Grab a Hunk of Lightning (not in the MovieCove catalog yet)(2014)

    Director

  • Thomas Keating: A Rising Tide of Silence (not in the MovieCove catalog yet)(2014)

    Cinematographer

  • Dorothea Lange, photographe de l’autre face de l’Amérique (not in the MovieCove catalog yet)(2014)

    Director

  • Midcredits score: 84th percentile of all films
  • The Weight of the Nation(2012)

    Show Cinematographer

    Midcredits score: 34th percentile of all shows
  • Blessed Is the Match(2008)

    Cinematographer

    Midcredits score: 67th percentile of all films
  • The Alzheimer's Project(2009)

    Show Cinematographer

    Midcredits score: 55th percentile of all shows
  • Patrick (not in the MovieCove catalog yet)(2004)

    Cinematographer

  • Midcredits score: 89th percentile of all films
  • Midcredits score: 94th percentile of all films
  • Annapurna: A Woman’s Place Home (not in the MovieCove catalog yet)(2003)

    Director

  • Agnes Martin: With My Back to the World (not in the MovieCove catalog yet)(2003)

    Cinematographer

  • F. Scott Fitzgerald: Winter Dreams (not in the MovieCove catalog yet)(2001)

    Cinematographer

  • National Geographic: The Filmmakers (not in the MovieCove catalog yet)(1999)

    Cinematographer

  • Without Pity: A Film About Abilities (not in the MovieCove catalog yet)(1996)

    Cinematographer

  • Places for the Soul (not in the MovieCove catalog yet)(1990)

    Cinematographer

  • Midcredits score: 97th percentile of all films
  • The Exiles (not in the MovieCove catalog yet)(1989)

    Camera Operator

  • Heavy Petting(1989)

    Cinematographer

    Midcredits score: 48th percentile of all films
  • High Fidelity: The Adventures of the Guarneri String Quartet (not in the MovieCove catalog yet)(1989)

    Cinematographer

  • In The Blood (not in the MovieCove catalog yet)(1989)

    Cinematographer

  • Stella Adler: Awake and Dream! (not in the MovieCove catalog yet)(1989)

    Cinematographer

  • Haiti: Dreams of Democracy (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • Midcredits score: 74th percentile of all films (provisional, few ratings)
  • Eat and Run (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • Pumping Iron II: The Women(1985)

    Cinematographer

    Midcredits score: 53rd percentile of all films
  • History's Secrets: Atomic Bomb (not in the MovieCove catalog yet)

    Additional Camera

Career shape

A full career of 28 titles, 27 of them dated from 1985 to 2024.

By role

only this rolewith another role
Directing3 of 28: 3 only directing, 0 with another roleCinematography22 of 28: 22 only cinematography, 0 with another role · typical Midcredits score85thOther crew3 of 28: 3 only other crew, 0 with another role

By decade

1980s9 · crew1990s3 · crew2000s6 · crew2010s6 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Dyanna Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 13

Approval · how many liked their films

80thpercentile
Typical film, the median of 13

Reach · how many have seen their films

34thpercentile
Typical film, the median of 13

Midcredits score across 16 titles, by percentile

  • 75th and up8
  • 50th to 74th4
  • 25th to 49th2
  • Below 25th2

Reviewers score the cinematography 58/100 in their films, across 5 reviewed titles; fans 71, detractors 28. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dyanna Taylor work with?

People who share at least 2 of Dyanna Taylor's MovieCove titles, grouped by what they did on them; Todd Boekelheide shares the most, 3.

Directors

Composers and editors

Producers