
Dyanna Taylor
- Cinematographer
- 16 on MovieCove · 35 credits in all
Known for
What are Dyanna Taylor's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 4 · Serious 4 · Dark 5
Grounded 12 · Stylized 1 · Heightened 0
Gentle 3 · Charged 7 · Intense 2
Steady 10 · Shifting 2 · Whiplash 0
Straight-faced 12 · Some laughs 0 · Funny 1
Slow burn 7 · Even-paced 6 · Relentless 0
Casual 5 · Engaged 6 · Full focus 2
Easy watch 3 · Affecting 5 · Heavy 5
Resolved 12 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet9
- Tragic1
- Ambiguous2
- Cyclical2
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dyanna Taylor's films?
As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service.
- Kino Film Collection, show their 2 titles on Kino Film Collection
- Docurama, show their title on Docurama
- Dove Channel, show their title on Dove Channel
- Gaia, show their title on Gaia
- Midnight Pulp, show their title on Midnight Pulp
- PBS Documentaries, show their title on PBS Documentaries
- UP Faith & Family, show their title on UP Faith & Family
Subscription and free streaming for Dyanna Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
35 credits, 16 with a MovieCove page.
Midcredits score: 99th percentile of all films (provisional, few ratings)
Midcredits score: 80th percentile of all films
Love Is Love Is Love(2020)
Midcredits score: 14th percentile of all films
Midcredits score: 90th percentile of all films
Songs of Ascension (not in the MovieCove catalog yet)(2019)
Midcredits score: 90th percentile of all films
Memories of Miss O'Keeffe (not in the MovieCove catalog yet)(2017)

Behold the Earth(2017)
Midcredits score: 10th percentile of all films (provisional, few ratings)
Dorothea Lange: Grab a Hunk of Lightning (not in the MovieCove catalog yet)(2014)

Thomas Keating: A Rising Tide of Silence (not in the MovieCove catalog yet)(2014)

Dorothea Lange, photographe de l’autre face de l’Amérique (not in the MovieCove catalog yet)(2014)
Midcredits score: 84th percentile of all films
The Weight of the Nation(2012)
Midcredits score: 34th percentile of all shows
Blessed Is the Match(2008)
Midcredits score: 67th percentile of all films
The Alzheimer's Project(2009)
Midcredits score: 55th percentile of all shows
Patrick (not in the MovieCove catalog yet)(2004)
Midcredits score: 89th percentile of all films
Midcredits score: 94th percentile of all films
Annapurna: A Woman’s Place Home (not in the MovieCove catalog yet)(2003)

Agnes Martin: With My Back to the World (not in the MovieCove catalog yet)(2003)

F. Scott Fitzgerald: Winter Dreams (not in the MovieCove catalog yet)(2001)

National Geographic: The Filmmakers (not in the MovieCove catalog yet)(1999)

Without Pity: A Film About Abilities (not in the MovieCove catalog yet)(1996)

Places for the Soul (not in the MovieCove catalog yet)(1990)
Midcredits score: 97th percentile of all films
The Exiles (not in the MovieCove catalog yet)(1989)

Heavy Petting(1989)
Midcredits score: 48th percentile of all films
High Fidelity: The Adventures of the Guarneri String Quartet (not in the MovieCove catalog yet)(1989)

In The Blood (not in the MovieCove catalog yet)(1989)

Stella Adler: Awake and Dream! (not in the MovieCove catalog yet)(1989)

Haiti: Dreams of Democracy (not in the MovieCove catalog yet)(1988)
Midcredits score: 74th percentile of all films (provisional, few ratings)
Eat and Run (not in the MovieCove catalog yet)(1987)
Midcredits score: 53rd percentile of all films
History's Secrets: Atomic Bomb (not in the MovieCove catalog yet)
Career shape
A full career of 28 titles, 27 of them dated from 1985 to 2024.

Biggest box office
Pumping Iron II: The Women (1985)

Highest rated
Common Threads: Stories from the Quilt (1989)

Most popular right now
A Jumpin' Night in the Garden of Eden (1988)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Dyanna Taylor's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 85th percentile for acclaim.
- 75th and up8
- 50th to 74th4
- 25th to 49th2
- Below 25th2
Shape of the crowd
9 of their 16 titles are Mixed.
- Universally Loved2
- Divisive1
- Cult Classic1
- Crowd Pleaser3
- Mixed9
Reviewers score the cinematography 58/100 in their films, across 5 reviewed titles; fans 71, detractors 28. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Dyanna Taylor work with?
People who share at least 2 of Dyanna Taylor's MovieCove titles, grouped by what they did on them; Todd Boekelheide shares the most, 3.
Directors
- Roberta GrossmanShared titles: Who Will Write Our History (2018), Blessed Is the Match (2008)See all 2 shared titles with Roberta Grossman

Composers and editors
- Todd BoekelheideShared titles: Who Will Write Our History (2018), The Alzheimer's Project (2009), Blessed Is the Match (2008)See all 3 shared titles with Todd Boekelheide

- Bruce ShawShared titles: The Weight of the Nation (2012), Imaginary Witness: Hollywood and the Holocaust (2004)See all 2 shared titles with Bruce Shaw
- Paula HerediaShared titles: The Weight of the Nation (2012), The Alzheimer's Project (2009)See all 2 shared titles with Paula Heredia

- Wendy BlackstoneShared titles: The Weight of the Nation (2012), The Alzheimer's Project (2009)See all 2 shared titles with Wendy Blackstone

Producers
- Pavlina ZipkovaShared titles: Who Will Write Our History (2018), Blessed Is the Match (2008)See all 2 shared titles with Pavlina Zipkova

- Alexandra MossShared titles: The Weight of the Nation (2012), The Alzheimer's Project (2009)See all 2 shared titles with Alexandra Moss
- Ellin BaumelShared titles: The Weight of the Nation (2012), Imaginary Witness: Hollywood and the Holocaust (2004)See all 2 shared titles with Ellin Baumel
- John HoffmanShared titles: The Weight of the Nation (2012), The Alzheimer's Project (2009)See all 2 shared titles with John Hoffman



