Alex Jopia
- Producer
- 3 on MovieCove
What are Alex Jopia's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 1
A split, not a type: Light 2 · Serious 0 · Dark 1
Grounded 1 · Stylized 2 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alex Jopia's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Alex Jopia's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Creatures(2021)
Midcredits score: 47th percentile of all films
Dawning of the Dead(2017)
Midcredits score: 3rd percentile of all films
Crying Wolf 3D(2015)
Midcredits score: 1st percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2015 to 2021.
How do Alex Jopia's films land?
Their typical MovieCove film has a Midcredits score in the 3rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 5th percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alex Jopia work with?
People who share at least 2 of Alex Jopia's MovieCove titles, grouped by what they did on them; Tony Jopia shares the most, 3.
Directors
- Tony JopiaShared titles: Creatures (2021), Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 3 shared titles with Tony Jopia
Writers
- Stu JopiaShared titles: Creatures (2021), Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 3 shared titles with Stu Jopia
- Andy DavieShared titles: Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 2 shared titles with Andy Davie
Composers, cinematographers and editors
- Andrij EvansShared titles: Creatures (2021), Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 3 shared titles with Andrij Evans
- Gwyn HemmingsShared titles: Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 2 shared titles with Gwyn Hemmings
- John RoomeShared titles: Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 2 shared titles with John Roome
Producers
- Jeremy StephensShared titles: Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 2 shared titles with Jeremy Stephens
- Kristofer DayneShared titles: Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 2 shared titles with Kristofer Dayne
- Stuart W. BedfordShared titles: Dawning of the Dead (2017), Crying Wolf 3D (2015)See all 2 shared titles with Stuart W. Bedford