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William G. Santor

William G. Santor

Producer · Canada

William G. Santor was born in Canada. William was a producer, known for The Baker (2022), The Immaculate Room (2022) and Queen of Bones (2024). William died on 28 December 2024 in Vista Del Mar, Cayman Islands.

Biography from IMDb.

From
Canada
Works as
Producer
Titles
30 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 8% in 30 days

What are William G. Santor's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama9 titlesTypical Midcredits score: 39th percentile, at or above their average across these genres
: browse their Drama movies
Comedy7 titlesTypical Midcredits score: 21st percentile
: browse their Comedy movies
Biography3 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Biography movies
Thriller3 titlesTypical Midcredits score: 11th percentile
: browse their Thriller movies
Action2 titlesTypical Midcredits score: 27th percentile
: browse their Action movies
Horror2 titlesTypical Midcredits score: 23rd percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
28%
Bonds
27%
Morality
17%
Survival
16%
Society
4%
Power
4%
Ideas
4%
Family bonds11 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeObsession5 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeGreed4 titles, browse their movies with this theme

What they feel like to watch

their average across 30 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 8 · Serious 6 · Dark 16

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 19 · Stylized 8 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 15 · Intense 10

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 11 · Shifting 13 · Whiplash 6

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 20 · Some laughs 5 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 16 · Even-paced 13 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 15 · Full focus 5

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 7 · Affecting 14 · Heavy 9

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 14 · Open-ended 11 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
24
Melancholic
12
Absurd
7
Dread
6
Contemplative
6
Other
22

How their films linger

Bittersweet11 titles, browse their movies with this aftertasteThought-provoking11 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteUnsettling9 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertaste

How their films end · 7 with a twist

  • Happy3
  • Bittersweet13
  • Tragic2
  • Ambiguous12

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William G. Santor's films?

As of October 24, 2026, 25 of their 30 MovieCove titles stream on a subscription or free service, most on Tubi (17).

Also on these channels

Subscription and free streaming for William G. Santor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 30 with a MovieCove page.

  • Signal One(2026)

    Producer

    Midcredits score: 32nd percentile of all films

  • Queen of Bones(2024)

    Producer

    Midcredits score: 14th percentile of all films

  • It Feeds(2025)

    Producer

    Midcredits score: 32nd percentile of all films

  • Borderline(2025)

    Executive Producer · Producer

    Midcredits score: 27th percentile of all films

  • Daniel's Gotta Die(2022)

    Producer

    Midcredits score: 21st percentile of all films

  • Day of the Fight(2023)

    Executive Producer

    Midcredits score: 76th percentile of all films

  • Unit 234(2024)

    Producer

    Midcredits score: 24th percentile of all films

  • Some Other Woman(2023)

    Producer

    Midcredits score: 4th percentile of all films

  • The Retirement Plan(2023)

    Producer

    Midcredits score: 16th percentile of all films

  • The Baker(2022)

    Producer

    Midcredits score: 37th percentile of all films

  • Delia's Gone(2022)

    Executive Producer

    Midcredits score: 13th percentile of all films

  • The Immaculate Room(2022)

    Executive Producer

    Midcredits score: 16th percentile of all films

  • Unplugging(2022)

    Producer

    Midcredits score: 12th percentile of all films

  • Big Gold Brick(2022)

    Producer

    Midcredits score: 2nd percentile of all films

  • Multiverse(2019)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • Buckley's Chance(2021)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Black Bear(2020)

    Executive Producer

    Midcredits score: 62nd percentile of all films

  • Dead Reckoning(2020)

    Executive Producer

    Midcredits score: 11th percentile of all films

  • Percy Vs Goliath(2020)

    Executive Producer

    Midcredits score: 60th percentile of all films

  • Four Good Days(2020)

    Producer

    Midcredits score: 64th percentile of all films

  • A Violent Separation(2019)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Stockholm(2018)

    Executive Producer

    Midcredits score: 44th percentile of all films

  • The Parting Glass(2018)

    Executive Producer

    Midcredits score: 36th percentile of all films

  • The Little Hours(2017)

    Executive Producer

    Midcredits score: 41st percentile of all films

  • Born to Be Blue(2015)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • Bank$tas(2013)

    Executive Producer

    Midcredits score: 11th percentile of all films

  • That Burning Feeling(2013)

    Producer

    Midcredits score: 25th percentile of all films

  • The Lifeguard(2013)

    Producer

    Midcredits score: 27th percentile of all films

  • I Melt with You(2011)

    Producer

    Midcredits score: 39th percentile of all films

  • Daydream Nation(2010)

    Producer

    Midcredits score: 51st percentile of all films

Career shape

A full career of 24 titles from 2013 to 2026.

Biggest box office

The Retirement Plan (2023)

$1.7M worldwide

Highest rated

Day of the Fight (2023)

Midcredits 76th

Most popular right now

The Retirement Plan (2023)

By role

only this rolewith another role
Producing24 of 24: 24 only producing, 0 with another role · typical Midcredits score30th

By decade

2010s6 · crew2020s18 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do William G. Santor's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 30; across their 30 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 30

Approval · how many liked their films

27thpercentile
Typical film, the median of 30

Reach · how many have seen their films

81stpercentile
Typical film, the median of 30

Midcredits score across 30 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th12
  • Below 25th12

Shape of the crowd

19 of their 30 titles are Mixed.

  • Universally Panned2
  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed19

Most divisive · producer

Dead Reckoning (2020)

78th percentile spread · 55% rated it 4 or lower

Most loved · producer

Day of the Fight (2023)

Midcredits 76th · 69% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is William G. Santor's work okay for kids?

Across up to 17 MovieCove titles with content scores, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles29–67 · median 42 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity17 titles13–60 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity9 titles37–88 · median 70 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles34–76 · median 41 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles36–72 · median 56 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does William G. Santor work with?

People who share at least 2 of William G. Santor's MovieCove titles, grouped by what they did on them; Andrew Chang-Sang shares the most, 22.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles