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Andrew Chang-Sang

Producer

Works as
Producer
Titles
24 on MovieCove
TMDB popularity, last 157 days to Oct 28Down 10% in 30 days

What are Andrew Chang-Sang's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 4 · Dark 12

Grounded 15 · Stylized 5 · Heightened 2

Gentle 3 · Charged 11 · Intense 8

Steady 8 · Shifting 9 · Whiplash 5

A split, not a type: Straight-faced 15 · Some laughs 3 · Funny 4

A split, not a type: Slow burn 12 · Even-paced 9 · Relentless 1

Casual 8 · Engaged 10 · Full focus 4

Easy watch 5 · Affecting 11 · Heavy 6

A split, not a type: Resolved 12 · Open-ended 6 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Melancholic
9
Absurd
5
Dread
3
Bittersweet
5
Other
16

How their films end · 6 with a twist

  • Happy1
  • Bittersweet12
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Chang-Sang's films?

As of October 24, 2026, 20 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (14).

Subscription and free streaming for Andrew Chang-Sang's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 24 with a MovieCove page.

  • It Feeds(2025)

    Executive Producer

    Midcredits score: 32nd percentile of all films
  • Borderline(2025)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Daniel's Gotta Die(2022)

    Executive Producer

    Midcredits score: 21st percentile of all films
  • Day of the Fight(2023)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • Some Other Woman(2023)

    Executive Producer

    Midcredits score: 4th percentile of all films
  • Unit 234(2024)

    Producer

    Midcredits score: 24th percentile of all films
  • The Retirement Plan(2023)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • The Baker(2022)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • Delia's Gone(2022)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • The Immaculate Room(2022)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • Unplugging(2022)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • Big Gold Brick(2022)

    Producer

    Midcredits score: 2nd percentile of all films
  • Multiverse(2019)

    Executive Producer

    Midcredits score: 21st percentile of all films
  • Black Bear(2020)

    Executive Producer

    Midcredits score: 62nd percentile of all films
  • Dead Reckoning(2020)

    Executive Producer

    Midcredits score: 11th percentile of all films
  • Percy Vs Goliath(2020)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • Four Good Days(2020)

    Producer

    Midcredits score: 64th percentile of all films
  • A Violent Separation(2019)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • The Parting Glass(2018)

    Executive Producer

    Midcredits score: 36th percentile of all films
  • Stockholm(2018)

    Producer

    Midcredits score: 44th percentile of all films
  • The Little Hours(2017)

    Executive Producer

    Midcredits score: 41st percentile of all films
  • Born to Be Blue(2015)

    Producer

    Midcredits score: 75th percentile of all films
  • That Burning Feeling(2013)

    Producer

    Midcredits score: 25th percentile of all films
  • The Lifeguard(2013)

    Producer

    Midcredits score: 27th percentile of all films

Career shape

A full career of 17 titles from 2017 to 2025.

By role

only this rolewith another role
Producing17 of 17: 17 only producing, 0 with another role · typical Midcredits score27th

By decade

2010s3 · crew2020s14 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrew Chang-Sang's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 24; across their 22 films with reception data, the typical film sits in the 33rd percentile for acclaim.

Acclaim · how much people like their films

33rdpercentile
Typical film, the median of 22

Approval · how many liked their films

27thpercentile
Typical film, the median of 22

Reach · how many have seen their films

81stpercentile
Typical film, the median of 22

Midcredits score across 24 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th9
  • Below 25th10

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andrew Chang-Sang's work okay for kids?

Across up to 13 MovieCove titles with content scores, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles28–68 · median 38 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity13 titles15–60 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity8 titles44–89 · median 72 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles39–79 · median 42 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles36–62 · median 54 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andrew Chang-Sang work with?

People who share at least 2 of Andrew Chang-Sang's MovieCove titles, grouped by what they did on them; William G. Santor shares the most, 22.

Directors

Writers

Actors

Composers and editors

Producers