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Brett W. Bachman

Brett W. Bachman

Editor and producer · USA

Brett W. Bachman is a film editor best known for his work in independent genre cinema. His films have premiered at renowned international film festivals, such as Sundance, Cannes, TIFF, and SXSW. He is most well known for editing Mandy, starring Nicolas Cage and Andrea Riseborough. Directed by Panos Cosmatos, the film made its premiere at the Sundance Film Festival. It would later win the Saturn Award for Best Independent Film. He has a long-running collaboration with the producers at SpectreVision, collaborating on nine of their partner's feature films, several as an Associate Producer. Recently, this includes the 2019 feature film adaptation of H.P Lovecraft's Color Out of Space. In 2020, his third film with Nicolas Cage, Pig, was acquired for US domestic release by Neon. Bachman found his love for editing while still in high school, directing a series of feature-length documentaries. At twenty-two years old, he was one of the youngest members of his AFI Conservatory class. Beyond focusing on feature films, he also works on commercials for brands and artists such as Lady Gaga, The Weeknd, Taco Bell, Under Armour, Staples, BioFreeze, and Mercedes-Benz. He is a member of IATSE Local 700 and is represented by UTA. He lives in Los Angeles.

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Biography from TMDB.

From
USA
Works as
Editor and producer
Titles
30 on MovieCove · 33 credits in all
TMDB popularity, last 155 days to Oct 26Up 36% in 30 days

What are Brett W. Bachman's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category

Light 5 · Serious 2 · Dark 17

A split, not a type: Grounded 10 · Stylized 8 · Heightened 6

Gentle 0 · Charged 9 · Intense 15

Steady 5 · Shifting 13 · Whiplash 6

A split, not a type: Straight-faced 13 · Some laughs 6 · Funny 5

Slow burn 7 · Even-paced 11 · Relentless 6

Casual 2 · Engaged 18 · Full focus 4

A split, not a type: Easy watch 3 · Affecting 8 · Heavy 13

Resolved 7 · Open-ended 11 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
19
Dread
11
Melancholic
8
Absurd
7
Contemplative
6
Other
12

How their films end · 4 with a twist

  • Happy5
  • Bittersweet10
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Brett W. Bachman's films?

As of October 24, 2026, 26 of their 30 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Subscription and free streaming for Brett W. Bachman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 30 with a MovieCove page.

  • Carrie(2026)

    Show 8 episodes · Editor

    Midcredits score: 92nd percentile of all shows
  • Godmother (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Kill Me(2026)

    Editor

    Midcredits score: 77th percentile of all films
  • Lone Samurai(2025)

    Editor

    Midcredits score: 27th percentile of all films
  • Shelby Oaks(2024)

    Editor

    Midcredits score: 16th percentile of all films
  • Rabbit Trap(2025)

    Editor

    Midcredits score: 22nd percentile of all films
  • The Toxic Avenger(2023)

    Editor

    Midcredits score: 39th percentile of all films
  • Heart Eyes(2025)

    Editor

    Midcredits score: 40th percentile of all films
  • Companion(2025)

    Editor

    Midcredits score: 78th percentile of all films
  • The Fall of the House of Usher(2023)

    Show 6 episodes · Editor

    Midcredits score: 86th percentile of all shows
  • Next Exit(2022)

    Editor · Executive Producer

    Midcredits score: 37th percentile of all films
  • V/H/S/94(2021)

    Editor

    Midcredits score: 31st percentile of all films
  • Pig(2021)

    Editor

    Midcredits score: 80th percentile of all films
  • Werewolves Within(2021)

    Editor

    Midcredits score: 44th percentile of all films
  • The Vigil(2019)

    Editor

    Midcredits score: 36th percentile of all films
  • Midcredits score: 33rd percentile of all films
  • I Blame Society(2020)

    Additional Editor

    Midcredits score: 37th percentile of all films
  • Color Out of Space(2019)

    Editor · Producer

    Midcredits score: 51st percentile of all films
  • Daniel Isn't Real(2019)

    Co-Executive Producer · Editor

    Midcredits score: 44th percentile of all films
  • The Dunes(2019)

    Editor

    Midcredits score: 10th percentile of all films
  • Zana(2019)

    Editor · Producer

    Midcredits score: 90th percentile of all films
  • Midcredits score: 57th percentile of all films
  • Mandy(2018)

    Editor · Producer

    Midcredits score: 70th percentile of all films
  • Lowlife(2017)

    Editor

    Midcredits score: 58th percentile of all films
  • Bitch(2017)

    Co-Executive Producer · Editor

    Midcredits score: 23rd percentile of all films
  • Dirty 30(2016)

    Editor

    Midcredits score: 33rd percentile of all films
  • Max Rose (not in the MovieCove catalog yet)(2016)

    Editor

  • Camino(2015)

    Co-Executive Producer · Editor

    Midcredits score: 15th percentile of all films
  • The Outfield(2015)

    Editor

    Midcredits score: 41st percentile of all films
  • Cooties(2014)

    Editor

    Midcredits score: 30th percentile of all films
  • McCanick(2013)

    Editor

    Midcredits score: 10th percentile of all films
  • Raze(2013)

    Editor

    Midcredits score: 18th percentile of all films
  • Tumbling (not in the MovieCove catalog yet)(2011)

    Editor

Career shape

A full career of 33 titles from 2011 to 2026.

By role

only this rolewith another role
Producing5 of 33: 1 only producing, 4 with another roleEditing32 of 33: 28 only editing, 4 with another role · typical Midcredits score38th

33 titles, 4 with more than one role — editing and producing overlap on 4 of them.

By decade

2010s15 · crew2020s18 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Brett W. Bachman's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 28; across their 24 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 24

Approval · how many liked their films

34thpercentile
Typical film, the median of 24

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 24

Midcredits score across 30 titles, by percentile

  • 75th and up6
  • 50th to 74th4
  • 25th to 49th13
  • Below 25th7

Reviewers score the pacing 42/100 in their films, across 21 reviewed titles; fans 51, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Brett W. Bachman's work okay for kids?

Across up to 16 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles45–92 · median 83 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity16 titles15–59 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity11 titles66–86 · median 73 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles33–67 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles55–89 · median 74 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Brett W. Bachman work with?

People who share at least 2 of Brett W. Bachman's MovieCove titles, grouped by what they did on them; Josh C. Waller shares the most, 9.

Directors

Writers

Actors

Composers and cinematographers

Producers