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Sandro Di Stefano

Composer · Born September 10, 1969 (57) · Ceccano, Lazio, Italy

Italian composer, conductor, and professor. Recognized as one of the leading figures of the "New European School for Film Music," he has composed over 80 soundtracks for film, television, documentaries, and multimedia installations, both in Italy and internationally. He is an official member of the European Film Academy and the Polish Film Academy "Orly." His accolades include the 2016 Chioma DI Berenice Award and the 2017 Polish Film Festival Award, along with a nomination for the 2018 Polish Oscars ("Orly"). Over the course of his career, he has received more than 50 awards worldwide, included the Film Critics Prize by the Film Academy of Kazakstan. He has composed music for Asian Cinema, officially selected at international festivals such as the Berlinale, Warsaw, Tokyo, Tallinn and Asian Oscars. In 2018, he was invited as a guest composer at the Krakow Film Music Festival (FMF), where his works were performed by the Krakow Symphony Orchestra, alongside pieces by Oscar-winning composers Michael Nyman, Krzysztof Penderecki, Jeff Beal, and Clint Mansell. His music is regularly broadcast on national and international radio and television and has topped the Apple Store sales charts. A reference composer for the Vatican, he composed the scores for the RAI/CTV-Vatican/La Repubblica series: Discovering the Vatican Museums (2016) and Divina Bellezza (2018), both presented by Alberto Angela and produced by RAI. His composition This Mercy, based on verses by Pope Francis (Jorge Bergoglio), was featured on RAI Uno for the closing of the Church's Jubilee. He was also among the select composers-including Luis Bacalov, Ennio Morricone, and Nicola Piovani-commissioned by Piero Angela and Paco Lanciano to create the music for Journey into the Forums, a permanent multimedia installation at the Forum of Augustus and Caesar in Rome. He collaborates with film industries in Poland, Germany, France, Asia, and the USA, working on productions distributed by Academy Award-winning companies such as Voltage Pictures and Lionsgate. His work is featured in university texts on the relationship between music and film, alongside composers such as Ennio Morricone and Nicola Piovani. His soundtracks are regularly produced and distributed by Grammy Award-winning labels such as Warner Music and Kemper Music. He has been invited to lecture and conduct masterclasses on the intersection of music and visual arts at prestigious institutions, including Berklee College of Music (Boston), the Milan Foundation, CESMA (Switzerland), and the Italian National Film School (Centro Sperimentale DI Cinematografia). His work has also been the subject of academic research, including the degree thesis Sandro Di Stefano: Music is an Invisible Actress, presented at the Conservatory of Music "N. Sala" in Benevento. Currently, he serves as Professor of Composition and Orchestration for Screen at the "Santa Cecilia" Conservatory of Music, Rome.

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Biography from IMDb.

Born
September 10, 1969 (57)
From
Ceccano, Lazio, Italy
Works as
Composer
Titles
7 on MovieCove

What are Sandro Di Stefano's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 5

Grounded 6 · Stylized 1 · Heightened 0

Gentle 2 · Charged 3 · Intense 2

Steady 2 · Shifting 4 · Whiplash 1

Straight-faced 7 · Some laughs 0 · Funny 0

A split, not a type: Slow burn 4 · Even-paced 2 · Relentless 1

Casual 3 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 3 · Affecting 2 · Heavy 2

Resolved 3 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
6
Melancholic
3
Absurd
2
Thrilling
1

How their films end · 4 with a twist

  • Happy1
  • Bittersweet1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sandro Di Stefano's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Sandro Di Stefano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • It's Not Over(2022)

    Composer

    Midcredits score: 9th percentile of all films
  • Hard Night Falling(2019)

    Composer

    Midcredits score: 3rd percentile of all films
  • The Tracker(2019)

    Composer

    Midcredits score: 4th percentile of all films
  • Agenda: Payback(2018)

    Composer

    Midcredits score: 10th percentile of all films
  • Shadow of the Wolf(2018)

    Composer

    Midcredits score: 10th percentile of all films
  • The Executioners(2018)

    Composer

    Midcredits score: 4th percentile of all films
  • Flashburn(2017)

    Composer

    Midcredits score: 3rd percentile of all films

Career shape

Across their 7 MovieCove titles from 2017 to 2022.

By role

only this rolewith another role
Music7 of 7: 7 only music, 0 with another role · typical Midcredits score4th

By decade

2010s6 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Sandro Di Stefano's films land?

Their typical MovieCove film has a Midcredits score in the 4th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 9th percentile for acclaim.

Acclaim · how much people like their films

9thpercentile
Typical film, the median of 7

Approval · how many liked their films

5thpercentile
Typical film, the median of 7

Reach · how many have seen their films

41stpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • Below 25th7

Reviewers score the sound and music 28/100 in their films, across 5 reviewed titles; fans 75, detractors 20. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sandro Di Stefano work with?

People who share at least 2 of Sandro Di Stefano's MovieCove titles, grouped by what they did on them; Giorgio Serafini shares the most, 5.

Directors

Writers

Actors

Cinematographers and editors

Producers