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Garry Charles

Garry Charles

Writer, also producer · Born August 16, 1973 (53) · Bedfordshire, England, UK

Born
August 16, 1973 (53)
From
Bedfordshire, England, UK
Works as
Writer, also producer
Titles
12 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 5% in 30 days

What are Garry Charles' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Action6 titlesTypical Midcredits score: 9th percentile, at or above their average across these genres
: browse their Action movies
Horror2 titlesTypical Midcredits score: 6th percentile
: browse their Horror movies
Thriller2 titlesTypical Midcredits score: 7th percentile
: browse their Thriller movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
46%
Morality
30%
Bonds
10%
Self
7%
Power
5%
Society
2%
Survival9 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeViolence3 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeGreed2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 3 · Wry 1 · Earnest 8

Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 3 · Dark 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 6 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 9 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 7 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 3 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 6 · Even-paced 3 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 6 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Thrilling
6
Dread
5
Absurd
5
Melancholic
2
Other
4

How their films linger

Unsettling8 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy2
  • Bittersweet6
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Garry Charles' films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Garry Charles' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

  • 6 Hours Away(2024)

    Writer

    Midcredits score: 8th percentile of all films

  • Lights Out(2024)

    Writer

    Midcredits score: 20th percentile of all films

  • The Getback(2023)

    Writer

    Midcredits score: 41st percentile of all films

  • Welcome to Acapulco(2019)

    Writer

    Midcredits score: 9th percentile of all films

  • Agenda: Payback(2018)

    Writer

    Midcredits score: 10th percentile of all films

  • Flashburn(2017)

    Writer

    Midcredits score: 3rd percentile of all films

  • Cute Little Buggers(2017)

    Writer

    Midcredits score: 3rd percentile of all films

  • 200 Degrees(2017)

    Writer

    Midcredits score: 10th percentile of all films

  • Day of the Mummy(2014)

    Writer

    Midcredits score: 2nd percentile of all films

  • Sinister Visions(2013)

    Producer · Writer

    Midcredits score: 5th percentile of all films

  • Dead Cert(2010)

    Producer · Writer

    Midcredits score: 5th percentile of all films

  • The Summer of the Massacre(2006)

    Writer

    Midcredits score: 1st percentile of all films

Career shape

A full career of 7 titles from 2014 to 2025.

Biggest box office

Welcome to Acapulco (2019)

$136K worldwide

Highest rated

Lights Out (2024)

Midcredits 20th

By role

only this rolewith another role
Writing7 of 7: 7 only writing, 0 with another role · typical Midcredits score8th

By decade

2010s4 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Garry Charles' films land?

Their typical MovieCove film has a Midcredits score in the 7th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 12

Approval · how many liked their films

8thpercentile
Typical film, the median of 12

Reach · how many have seen their films

46thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 25th to 49th1
  • Below 25th11

Shape of the crowd

11 of their 12 titles are Mixed.

  • Cult Classic1
  • Mixed11

Most divisive · writer, producer

Sinister Visions (2013)

86th percentile spread · 61% rated it 4 or lower

Most loved · writer

The Getback (2023)

Midcredits 41st · 45% liked

Reviewers score the dialogue 33/100 and the plot and story 35/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Garry Charles work with?

People who share at least 2 of Garry Charles' MovieCove titles, grouped by what they did on them; Giorgio Serafini shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles