Kren V. Yap

What are Kren V. Yap's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kren V. Yap's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, on Netflix (5).

• Netflix5 titles, browse their movies on this service
  • Almost Us (2026) · producer
  • Third World Romance (2023) · producer
  • Dead Kids (2019) · producer
  • I Am Not Big Bird (2024) · producer
  • Missed Connections (2023) · producer

Subscription and free streaming for Kren V. Yap's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Almost Us(2026)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  I Am Not Big Bird(2024)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  Missed Connections(2023)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Third World Romance(2023)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  Fan Girl(2020)

  Producer

  Midcredits score: 61st percentile of all films61^st
• 

  Dead Kids(2019)

  Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Amorosa: The Revenge(2012)

  Writer

  Midcredits score: 20th percentile of all films20^th

Career shape

Across their 7 MovieCove titles from 2012 to 2026.

Biggest box office

Amorosa: The Revenge (2012)

$608K worldwide

Highest rated

Almost Us (2026)

Midcredits 70^th

How do Kren V. Yap's films land?

Their typical MovieCove film has a Midcredits score in the 36^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 40^th percentile for acclaim.

Shape of the crowd

3 of their 7 titles are Mixed.

1213

• Loved with Detractors1
• Divisive2
• Cult Classic1
• Mixed3

Most divisive · producer

Third World Romance (2023)

94^th percentile spread · 38% rated it 4 or lower

Most loved · producer

Almost Us (2026)

Midcredits 70^th · 64% liked

Reviewers score the dialogue 37/100 and the plot and story 40/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kren V. Yap work with?

People who share at least 2 of Kren V. Yap's MovieCove titles, grouped by what they did on them; Bianca Balbuena shares the most, 4.