Byung-woo Kim was born in 1980 in Busan, South Korea. Byung-woo is a director and writer, known for The Terror Live (2013), Written (2008) and The Great Flood (2025). Byung-woo has been married to Hahm Eun-jung since 30 November 2025.
Biography from IMDb.
- Busan, South Korea
- Director and writer
- 4 on MovieCove
What are Byung-woo Kim's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 1 · Dark 3
A split, not a type: Grounded 2 · Stylized 0 · Heightened 2
Gentle 0 · Charged 0 · Intense 4
Steady 0 · Shifting 2 · Whiplash 2
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 0 · Even-paced 0 · Relentless 4
Casual 0 · Engaged 2 · Full focus 2
Easy watch 1 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Byung-woo Kim's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Byung-woo Kim's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 27th percentile of all films
The Great Flood(2025)
Midcredits score: 25th percentile of all films
Take Point(2018)
Midcredits score: 33rd percentile of all films
The Terror Live(2013)
Midcredits score: 86th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2013 to 2025.
How do Byung-woo Kim's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up1
- 25th to 49th3
Shape of the crowd
2 of their 4 titles are Mixed.
- Divisive1
- Crowd Pleaser1
- Mixed2
Reviewers score the atmosphere 61/100 and the pacing 58/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Byung-woo Kim work with?
People who share at least 2 of Byung-woo Kim's MovieCove titles, grouped by what they did on them; Ha Jung-woo shares the most, 2.
Actors
- Ha Jung-wooShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Ha Jung-woo
Composers, cinematographers and editors
- Byun Bong-sunShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Byun Bong-sun
- Kim Chang-juShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Kim Chang-ju
- Lee Jun-ohShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Lee Jun-oh