Lee Jun-oh
- Composer
- 8 on MovieCove · 16 credits in all
What are Lee Jun-oh's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 3 · Stylized 1 · Heightened 0
Gentle 1 · Charged 0 · Intense 3
A split, not a type: Steady 1 · Shifting 1 · Whiplash 2
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 0 · Relentless 3
A split, not a type: Casual 1 · Engaged 0 · Full focus 3
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lee Jun-oh's films?
As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Lee Jun-oh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 8 with a MovieCove page.
Hideaway (not in the MovieCove catalog yet)(2025)
The Great Flood(2025)
Midcredits score: 25th percentile of all films
Streaming (not in the MovieCove catalog yet)(2025)
The Deal (not in the MovieCove catalog yet)(2023)
Contorted(2022)
Midcredits score: 9th percentile of all films
Midcredits score: 60th percentile of all films
The Girl on a Bulldozer (not in the MovieCove catalog yet)(2022)
A Boy and Sungreen (not in the MovieCove catalog yet)(2019)
Take Point(2018)
Midcredits score: 33rd percentile of all films
Little Forest(2018)
Midcredits score: 94th percentile of all films
One-Line(2017)
Midcredits score: 59th percentile of all films
The Phone(2015)
Midcredits score: 67th percentile of all films
Fashion King (not in the MovieCove catalog yet)(2014)
The Whistleblower (not in the MovieCove catalog yet)(2014)
The Terror Live(2013)
Midcredits score: 86th percentile of all films
Hoya (not in the MovieCove catalog yet)(2012)
Career shape
A full career of 16 titles from 2012 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Lee Jun-oh's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 77th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser3
- Mixed3
Reviewers score the sound and music 56/100 in their films, across 4 reviewed titles; fans 61, detractors 20. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lee Jun-oh work with?
People who share at least 2 of Lee Jun-oh's MovieCove titles, grouped by what they did on them; Byung-woo Kim shares the most, 2.
Directors
- Byung-woo KimShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Byung-woo Kim
Actors
- Ha Jung-wooShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Ha Jung-woo
Cinematographers and editors
- Byun Bong-sunShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Byun Bong-sun
- Kim Chang-juShared titles: Take Point (2018), The Terror Live (2013)See all 2 shared titles with Kim Chang-ju
