Julia Klimenko

What are Julia Klimenko's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Julia Klimenko's films?

As of October 24, 2026, none of Julia Klimenko's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Julia Klimenko's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  The Last Warrior: A Messenger of Darkness(2021)

  Producer

  Midcredits score: 34th percentile of all films34^th
• 

  The Last Warrior: Root of Evil(2021)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  The Last Warrior(2017)

  Producer

  Midcredits score: 61st percentile of all films61^st

Career shape

Across a limited sample of 3 MovieCove titles from 2017 to 2021.

Biggest box office

The Last Warrior (2017)

$31M worldwide

Highest rated

The Last Warrior (2017)

Midcredits 61^st

How do Julia Klimenko's films land?

Their typical MovieCove film has a Midcredits score in the 45^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 48^th percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Mixed.

12

• Crowd Pleaser1
• Mixed2

Most divisive · producer

The Last Warrior: A Messenger of Darkness (2021)

63^rd percentile spread · 26% rated it 4 or lower

Most loved · producer

The Last Warrior (2017)

Midcredits 61^st · 57% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Julia Klimenko work with?

People who share at least 2 of Julia Klimenko's MovieCove titles, grouped by what they did on them; Dmitriy Dyachenko shares the most, 3.