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Brian Redondo

Editor and producer

Works as
Editor and producer
Titles
3 on MovieCove

What are Brian Redondo's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

Themes

share of theme weight
Society
30%
Ideas
26%
Survival
23%
Power
15%
Self
6%

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
2
Hopeful
3
Warm
1
Joyful
1
Tense
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Brian Redondo's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on HBO Max (2).

Subscription and free streaming for Brian Redondo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

  • Midcredits score: 31st percentile of all shows (provisional, few ratings)
  • Beyond Bars(2023)

    Editor

    Midcredits score: 62nd percentile of all films (provisional, few ratings)
  • Take Out(2022)

    Show Editor · Producer

    Midcredits score: 66th percentile of all shows (provisional, few ratings)

Career shape

Across a limited sample of 3 MovieCove titles from 2022 to 2026.

By role

only this rolewith another role
Producing1 of 3: 0 only producing, 1 with another roleEditing3 of 3: 2 only editing, 1 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

Who does Brian Redondo work with?

People who share at least 2 of Brian Redondo's MovieCove titles, grouped by what they did on them; Yeong-a Kim shares the most, 2.

Editors

Producers