Matthew Alvarez

What are Matthew Alvarez's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matthew Alvarez's films?

As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on HBO Max (3).

• HBO Max3 titles, browse their movies on this service
  • Christiane Amanpour Sex & Love Around the World (2018) · producer
  • Take Out (2022) · director, producer
  • Kara Swisher Wants to Live Forever (2026) · producer
• Disney+1 title, browse their movies on this service
  • Taste the Nation with Padma Lakshmi (2020) · producer
• Hulu1 title, browse their movies on this service
  • Taste the Nation with Padma Lakshmi (2020) · producer
• MGM+1 title, browse their movies on this service
  • Elvis Goes There (2019) · producer
• Netflix1 title, browse their movies on this service
  • The Business of Drugs (2020) · producer
• Prime Video1 title, browse their movies on this service
  • Jeremiah Tower: The Last Magnificent (2016) · producer
• The Roku Channel1 title, browse their movies on this service
  • Christiane Amanpour Sex & Love Around the World (2018) · producer · free
• Tubi1 title, browse their movies on this service
  • Wasted! The Story of Food Waste (2017) · producer · free

Subscription and free streaming for Matthew Alvarez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

• 

  Kara Swisher Wants to Live Forever(2026)

  Show Producer

  Midcredits score: 31st percentile of all shows (provisional, few ratings)~31^st
• 

  Take Out(2022)

  Show Director · Producer

  Midcredits score: 66th percentile of all shows (provisional, few ratings)~66^th
• 

  Taste the Nation with Padma Lakshmi(2020)

  Show Producer

  Midcredits score: 83rd percentile of all shows83^rd
• 

  The Business of Drugs(2020)

  Show Producer

  Midcredits score: 53rd percentile of all shows53^rd
• 

  Elvis Goes There(2019)

  Show Producer

  Midcredits score: 40th percentile of all shows (provisional, few ratings)~40^th
• 

  Christiane Amanpour Sex & Love Around the World(2018)

  Show Producer

  Midcredits score: 67th percentile of all shows67^th
• 

  Fermented(2017)

  Producer

  Midcredits score: 92nd percentile of all films (provisional, few ratings)~92^nd
• 

  Wasted! The Story of Food Waste(2017)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Jeremiah Tower: The Last Magnificent(2016)

  Producer

  Midcredits score: 62nd percentile of all films62^nd

Career shape

Across their 9 MovieCove titles from 2016 to 2026.

Biggest box office

Jeremiah Tower: The Last Magnificent (2016)

$228K worldwide

Highest rated

Wasted! The Story of Food Waste (2017)

Midcredits 89^th

Most popular right now

Taste the Nation with Padma Lakshmi (2020)

How do Matthew Alvarez's films land?

Their typical MovieCove film has a Midcredits score in the 89^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 86^th percentile for acclaim.

Shape of the crowd

4 of their 9 titles are Mixed.

34

• Cult Classic1
• Crowd Pleaser3
• Broadly Agreed1
• Mixed4

Most divisive · producer

Elvis Goes There (2019)

86^th percentile spread · 41% rated it 4 or lower

Most loved · producer

Wasted! The Story of Food Waste (2017)

Midcredits 89^th · 79% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Matthew Alvarez work with?

People who share at least 2 of Matthew Alvarez's MovieCove titles, grouped by what they did on them; Lydia Tenaglia shares the most, 5.