Bud Gallimore

What are Bud Gallimore's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bud Gallimore's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

• BritBox1 title
  • Changing Ends (2023) · cinematographer

Subscription and free streaming for Bud Gallimore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Changing Ends(2023)

  Show Cinematographer

  Midcredits score: 74th percentile of all shows74^th
• 

  Black Sabbath: The End Of The End(2017)

  Cinematographer

  Midcredits score: 75th percentile of all films75^th
• 

  Jeff Lynne's ELO: Wembley or Bust(2017)

  Cinematographer

  Midcredits score: 99th percentile of all films99^th
• 

  Mumford & Sons: We Wrote This Yesterday(2016)

  Cinematographer

  Midcredits score: 80th percentile of all films (provisional, few ratings)~80^th
• 

  Ed Sheeran: Jumpers for Goalposts(2015)

  Cinematographer

  Midcredits score: 94th percentile of all films94^th

Career shape

Across their 5 MovieCove titles from 2015 to 2023.

Biggest box office

Ed Sheeran: Jumpers for Goalposts (2015)

$705K worldwide

Highest rated

Ed Sheeran: Jumpers for Goalposts (2015)

Midcredits 94^th

Most popular right now

Changing Ends (2023)

How do Bud Gallimore's films land?

Their typical MovieCove film has a Midcredits score in the 87^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 94^th percentile for acclaim.

Shape of the crowd

1 of their 5 titles is Universally Loved.

11111

• Universally Loved1
• Loved with Detractors1
• Divisive1
• Crowd Pleaser1
• Mixed1

Most divisive · cinematographer

Black Sabbath: The End Of The End (2017)

96^th percentile spread · 37% rated it 4 or lower

Most loved · cinematographer

Jeff Lynne's ELO: Wembley or Bust (2017)

Midcredits 99^th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bud Gallimore work with?

People who share at least 2 of Bud Gallimore's MovieCove titles, grouped by what they did on them; Paul Dugdale shares the most, 2.