Jane Wan
- Producer
- 4 on MovieCove
What are Jane Wan's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
Light 2 · Serious 2 · Dark 0
Grounded 2 · Stylized 2 · Heightened 0
Gentle 0 · Charged 4 · Intense 0
A split, not a type: Steady 1 · Shifting 1 · Whiplash 2
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 1
Casual 3 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jane Wan's films?
As of October 24, 2026, none of Jane Wan's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Jane Wan's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Godspeed(2016)
Midcredits score: 75th percentile of all films
Our Times(2015)
Midcredits score: 92nd percentile of all films
To the Fore(2015)
Midcredits score: 54th percentile of all films
Two Thumbs Up(2015)
Midcredits score: 47th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2015 to 2016.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Jane Wan's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jane Wan work with?
People who share at least 2 of Jane Wan's MovieCove titles, grouped by what they did on them; Karen Fu shares the most, 4.
Cinematographers and editors
- Chor Keung ChanShared titles: To the Fore (2015), Two Thumbs Up (2015)See all 2 shared titles with Chor Keung Chan
- Ki-Hop ChanShared titles: To the Fore (2015), Two Thumbs Up (2015)See all 2 shared titles with Ki-Hop Chan
Producers
- Karen FuShared titles: Godspeed (2016), Our Times (2015), To the Fore (2015), Two Thumbs Up (2015)See all 4 shared titles with Karen Fu
- Ju-Feng YehShared titles: Godspeed (2016), Our Times (2015)See all 2 shared titles with Ju-Feng Yeh
- Albert LeeShared titles: To the Fore (2015), Two Thumbs Up (2015)See all 2 shared titles with Albert Lee
- Albert YeungShared titles: To the Fore (2015), Two Thumbs Up (2015)See all 2 shared titles with Albert Yeung
