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Milan Roder

Composer

Works as
Composer
Titles
22 on MovieCove · 31 credits in all
TMDB popularity, last 39 days to Oct 28Down 27% in 30 days

What are Milan Roder's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 6 · Stylized 5 · Heightened 2

Gentle 0 · Charged 11 · Intense 2

Steady 4 · Shifting 8 · Whiplash 1

Straight-faced 8 · Some laughs 5 · Funny 0

A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 2

Casual 8 · Engaged 5 · Full focus 0

Resolved 11 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
7
Melancholic
8
Tense
7
Thrilling
5
Dread
3
Other
6

How their films end · 1 with a twist

  • Happy5
  • Bittersweet4
  • Tragic4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Milan Roder's films?

As of October 24, 2026, 6 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Milan Roder's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 22 with a MovieCove page.

  • Devotion (not in the MovieCove catalog yet)(1946)

    Orchestrator

  • Midcredits score: 79th percentile of all films
  • Juarez(1939)

    Orchestrator

    Midcredits score: 76th percentile of all films
  • If I Were King(1938)

    Additional Music

    Midcredits score: 80th percentile of all films
  • Midcredits score: 41st percentile of all films
  • You and Me(1938)

    Orchestrator

    Midcredits score: 74th percentile of all films
  • Souls at Sea (not in the MovieCove catalog yet)(1937)

    Composer

  • Easy Living(1937)

    Additional Music

    Midcredits score: 93rd percentile of all films
  • Exclusive(1937)

    Composer

    Midcredits score: 56th percentile of all films
  • The Mandarin Mystery(1936)

    Composer

    Midcredits score: 16th percentile of all films
  • Craig's Wife (not in the MovieCove catalog yet)(1936)

    Composer

  • The Princess Comes Across(1936)

    Additional Music

    Midcredits score: 66th percentile of all films
  • The Voice of Bugle Ann (not in the MovieCove catalog yet)(1936)

    Composer

  • Last of the Pagans (not in the MovieCove catalog yet)(1935)

    Composer

  • The Last Outpost(1935)

    Composer

    Midcredits score: 42nd percentile of all films
  • The Black Room(1935)

    Composer

    Midcredits score: 75th percentile of all films
  • Midcredits score: 77th percentile of all films
  • Cleopatra(1934)

    Additional Music · Orchestrator

    Midcredits score: 70th percentile of all films
  • Midcredits score: 53rd percentile of all films
  • Death Takes a Holiday(1934)

    Composer

    Midcredits score: 72nd percentile of all films
  • Four Frightened People (not in the MovieCove catalog yet)(1934)

    Composer

  • You Belong to Me(1934)

    Composer

    Midcredits score: 60th percentile of all films (provisional, few ratings)
  • Voltaire (not in the MovieCove catalog yet)(1933)

    Composer

  • Supernatural (not in the MovieCove catalog yet)(1933)

    Composer

  • The Song of Songs(1933)

    Composer

    Midcredits score: 74th percentile of all films
  • Silver Dollar (not in the MovieCove catalog yet)(1932)

    Composer

  • The Sign of the Cross(1932)

    Composer

    Midcredits score: 73rd percentile of all films
  • A Farewell to Arms(1932)

    Composer

    Midcredits score: 58th percentile of all films
  • Scarlet Dawn(1932)

    Composer

    Midcredits score: 40th percentile of all films
  • Midcredits score: 87th percentile of all films
  • The Ten Commandments(1923)

    Composer

    Midcredits score: 69th percentile of all films

Career shape

A full career of 26 titles from 1932 to 1946.

By role

only this rolewith another role
Music22 of 26: 21 only music, 1 with another role · typical Midcredits score68thOther crew5 of 26: 4 only other crew, 1 with another role

By decade

1930s25 · crew1940s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Milan Roder's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 22; across their 13 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 13

Approval · how many liked their films

71stpercentile
Typical film, the median of 13

Reach · how many have seen their films

59thpercentile
Typical film, the median of 13

Midcredits score across 22 titles, by percentile

  • 75th and up7
  • 50th to 74th11
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

None of their 22 titles divides audiences: 15 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser15
  • Broadly Agreed4
  • Mixed2

Reviewers score the sound and music 60/100 in their films, across 10 reviewed titles; fans 64, detractors 55. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Milan Roder's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 39 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Milan Roder work with?

People who share at least 2 of Milan Roder's MovieCove titles, grouped by what they did on them; John Leipold shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers