Milan Roder
- Composer
- 22 on MovieCove · 31 credits in all
What are Milan Roder's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 12
Light 2 · Serious 6 · Dark 5
A split, not a type: Grounded 6 · Stylized 5 · Heightened 2
Gentle 0 · Charged 11 · Intense 2
Steady 4 · Shifting 8 · Whiplash 1
Straight-faced 8 · Some laughs 5 · Funny 0
A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 2
Casual 8 · Engaged 5 · Full focus 0
Easy watch 3 · Affecting 7 · Heavy 3
Resolved 11 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet4
- Tragic4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Milan Roder's films?
As of October 24, 2026, 6 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Milan Roder's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
31 credits, 22 with a MovieCove page.

Devotion (not in the MovieCove catalog yet)(1946)
Midcredits score: 79th percentile of all films
Juarez(1939)
Midcredits score: 76th percentile of all films
If I Were King(1938)
Midcredits score: 80th percentile of all films
Midcredits score: 41st percentile of all films
You and Me(1938)
Midcredits score: 74th percentile of all films
Souls at Sea (not in the MovieCove catalog yet)(1937)

Easy Living(1937)
Midcredits score: 93rd percentile of all films
Exclusive(1937)
Midcredits score: 56th percentile of all films
The Mandarin Mystery(1936)
Midcredits score: 16th percentile of all films
Craig's Wife (not in the MovieCove catalog yet)(1936)
Midcredits score: 66th percentile of all films
The Voice of Bugle Ann (not in the MovieCove catalog yet)(1936)

Last of the Pagans (not in the MovieCove catalog yet)(1935)

The Last Outpost(1935)
Midcredits score: 42nd percentile of all films
The Black Room(1935)
Midcredits score: 75th percentile of all films
Midcredits score: 77th percentile of all films
Cleopatra(1934)
Midcredits score: 70th percentile of all films
Murder at the Vanities(1934)
Midcredits score: 53rd percentile of all films
Death Takes a Holiday(1934)
Midcredits score: 72nd percentile of all films
Four Frightened People (not in the MovieCove catalog yet)(1934)

You Belong to Me(1934)
Midcredits score: 60th percentile of all films (provisional, few ratings)
Voltaire (not in the MovieCove catalog yet)(1933)

Supernatural (not in the MovieCove catalog yet)(1933)

The Song of Songs(1933)
Midcredits score: 74th percentile of all films
Silver Dollar (not in the MovieCove catalog yet)(1932)

The Sign of the Cross(1932)
Midcredits score: 73rd percentile of all films
A Farewell to Arms(1932)
Midcredits score: 58th percentile of all films
Scarlet Dawn(1932)
Midcredits score: 40th percentile of all films
Midcredits score: 87th percentile of all films
The Ten Commandments(1923)
Midcredits score: 69th percentile of all films
Career shape
A full career of 26 titles from 1932 to 1946.

Biggest box office
The Lives of a Bengal Lancer (1935)

Highest rated
Tabu: A Story of the South Seas (1931)

Most popular right now
The Sign of the Cross (1932)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Milan Roder's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 22; across their 13 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up7
- 50th to 74th11
- 25th to 49th3
- Below 25th1
Shape of the crowd
None of their 22 titles divides audiences: 15 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser15
- Broadly Agreed4
- Mixed2
Reviewers score the sound and music 60/100 in their films, across 10 reviewed titles; fans 64, detractors 55. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Milan Roder's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Milan Roder work with?
People who share at least 2 of Milan Roder's MovieCove titles, grouped by what they did on them; John Leipold shares the most, 4.
Directors
- Cecil B. DeMilleShared titles: The Sign of the Cross (1932), The Ten Commandments (1923)See all 2 shared titles with Cecil B. DeMille

Writers
- Benjamin GlazerShared titles: Exclusive (1937), The Song of Songs (1933), A Farewell to Arms (1932)See all 3 shared titles with Benjamin Glazer
- Grover JonesShared titles: The Lives of a Bengal Lancer (1935), You Belong to Me (1934)See all 2 shared titles with Grover Jones

- Laurence StallingsShared titles: The Lives of a Bengal Lancer (1935), A Farewell to Arms (1932)See all 2 shared titles with Laurence Stallings
- Maxwell AndersonShared titles: The Lives of a Bengal Lancer (1935), Death Takes a Holiday (1934)See all 2 shared titles with Maxwell Anderson

Actors
- Colin TapleyShared titles: The Black Room (1935), The Last Outpost (1935), The Lives of a Bengal Lancer (1935)See all 3 shared titles with Colin Tapley

- Gary CooperShared titles: The Lives of a Bengal Lancer (1935), A Farewell to Arms (1932)See all 2 shared titles with Gary Cooper

- Guy StandingShared titles: The Lives of a Bengal Lancer (1935), Death Takes a Holiday (1934)See all 2 shared titles with Guy Standing

- Kathleen BurkeShared titles: The Last Outpost (1935), The Lives of a Bengal Lancer (1935)See all 2 shared titles with Kathleen Burke

Composers, cinematographers and editors
- John LeipoldShared titles: Exclusive (1937), The Lives of a Bengal Lancer (1935), Death Takes a Holiday (1934), A Farewell to Arms (1932)See all 4 shared titles with John Leipold

- Bernhard KaunShared titles: The Last Outpost (1935), Death Takes a Holiday (1934), The Song of Songs (1933), A Farewell to Arms (1932)See all 4 shared titles with Bernhard Kaun
- Anne BauchensShared titles: Bulldog Drummond in Africa (1938), The Sign of the Cross (1932), The Ten Commandments (1923)See all 3 shared titles with Anne Bauchens

- Charles LangShared titles: The Lives of a Bengal Lancer (1935), Death Takes a Holiday (1934), A Farewell to Arms (1932)See all 3 shared titles with Charles Lang

Producers
- E. Lloyd SheldonShared titles: The Last Outpost (1935), Death Takes a Holiday (1934)See all 2 shared titles with E. Lloyd Sheldon
- Louis D. LightonShared titles: The Lives of a Bengal Lancer (1935), You Belong to Me (1934)See all 2 shared titles with Louis D. Lighton




