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Pierre Schoendoerffer

Pierre Schoendoerffer

Director, writer and producer · Died March 14, 2012, aged 83 · Chamalières, Puy-de-Dôme, France

Pierre Schoendoerffer (5 May 1928 – 14 March 2012) was a French film director, a screenwriter, a writer, a war reporter, a war cameraman, a renowned First Indochina War veteran, a cinema academician. He was president of the Académie des Beaux-Arts for 2001 and for 2007. In 1967, he was the winner of the Academy Award for Best Documentary Feature for The Anderson Platoon. The film followed a platoon of American soldiers for six weeks at the height of fighting in Vietnam during 1966. Pierre Schoendoerffer was born in Chamalières of a French Alsatian Protestant family. As Alsace was a territory contested and annexed in the 17th, 19th and 20th centuries by both France and Germany leading to the Franco-Prussian War (1870) next World War I (1914–18), his forefathers were French, and lost all their belongings. His maternal grandfather, who was an 1870 veteran, volunteered in the French Army in 1914 at the age of 66 and the rank of captain. He was killed during the Second Battle of the Aisne at Chemin des Dames. His father was the director of the Annecy hospital and died shortly after the end of the battle of France (1940), where he was injured. He met his wife Patricia in Morocco (then a Spanish-French joint protectorate), she was a journalist for France-Soir. They had three children, actor and screenwriter Frédéric Schoendoerffer, director and producer Ludovic Schoendoerffer and actress Amélie Schoendoerffer. Pierre Schoendoerffer died, aged 83, on 14 March 2012 in France. During World War II, Schoendoerffer lost his father and was not doing well with his studies at school in Annecy. In winter 1942–43, he read Joseph Kessel's epic adventure novel Fortune Carrée (1932), which changed his ambitions; he wanted to become a mariner and travel the world. In 1946, he spent his summer as a fisherman aboard a small fishing trawler in the Bourgneuf-en-Retz bay, near Pornic, Pays de la Loire (close to Brittany). From this experience he would later direct Than, the Fisherman shot in Vietnam, and Iceland Fisherman. The following year he went back to the Pays de la Loire region and embarked on a Swedish cargo ship at Boulogne. In 1947, on board a merchant navy coaster, he sailed for two years in the Baltic Sea and North Sea. This experience would later find echoes in Seven Days at Sea, The Drummer-Crab and even in Above the Clouds. From 1949 to 1950 he left the sea to fulfill mandatory military service in the Alpine infantry's 13e Bataillon de Chasseurs Alpins ("13th Alpine Hunters Battalion", 13e BCA) based in Chambéry and Modane, Rhône-Alpes. The Alpine infantry would later be the title character's corps in The Honor of a Captain. Young Schoendoerffer had realized he was not born to be a mariner, but he did not want to be a soldier either, thinking he would be wasting his time. What he wanted to do was filmmaking. As he failed to enter the television and cinema industries, he began photography instead. One day as he read a Le Figaro article about war cameraman Georges Kowal, Killed in action during the First Indochina War, he decided to try his luck in the Service Cinématographique des Armées ("Armies' Cinematographic Service", SCA, now ECPAD). ... Source: Article "Pierre Schoendoerffer" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
May 5, 1928
Died
March 14, 2012 (aged 83)
From
Chamalières, Puy-de-Dôme, France
Works as
Director, writer and producer
Titles
4 on MovieCove · 14 credits in all
TMDB popularity, last 39 days to Oct 28Up 63% in 30 days

What are Pierre Schoendoerffer's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 4

Grounded 2 · Stylized 2 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 2 · Full focus 1

Easy watch 0 · Affecting 0 · Heavy 4

A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
4
Elegiac
1
Contemplative
1
Dread
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pierre Schoendoerffer's films?

As of October 24, 2026, none of Pierre Schoendoerffer's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Pierre Schoendoerffer's titles on MovieCove; rent and buy are not counted.

Filmography

14 credits, 4 with a MovieCove page; 7 appearances as themselves are hidden until asked for.

  • Above the Clouds (not in the MovieCove catalog yet)(2003)

    Director · Writer

  • Diên Biên Phú(1992)

    Director · Producer · Screenplay

    Midcredits score: 61st percentile of all films
  • Midcredits score: 51st percentile of all films
  • A Captain's Honor (not in the MovieCove catalog yet)(1982)

    Director

  • Le Crabe-Tambour(1977)

    Director · Novel · Screenplay

    Midcredits score: 75th percentile of all films
  • Sept jours en mer (not in the MovieCove catalog yet)(1972)

    Director

  • The Anderson Platoon (not in the MovieCove catalog yet)(1967)

    Director · Producer · Writer · as narrator

  • Objective: 500 Million (not in the MovieCove catalog yet)(1966)

    Director · Dialogue · Screenplay

  • The 317th Platoon(1965)

    Director · Novel · Screenplay

    Midcredits score: 91st percentile of all films
  • Attention hélicoptères (not in the MovieCove catalog yet)(1961)

    Director

  • The Devil's Pass (not in the MovieCove catalog yet)(1959)

    Director

  • Island Fisherman (not in the MovieCove catalog yet)(1959)

    Director

  • Ramuntcho (not in the MovieCove catalog yet)(1958)

    Director · Screenplay

  • Vietnam (not in the MovieCove catalog yet)(1955)

    Camera Operator

Career shape

A full career of 14 titles from 1955 to 2003.

By role

only this rolewith another role
Acting1 of 14: 0 only acting, 1 with another roleDirecting12 of 14: 5 only directing, 7 with another roleWriting8 of 14: 1 only writing, 7 with another roleProducing2 of 14: 0 only producing, 2 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

14 titles, 7 with more than one role — directing and writing overlap on 7 of them.

By decade

1950s4 · crew1960s4 · 1 acting · 4 crew1970s2 · crew1980s2 · crew1990s1 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Pierre Schoendoerffer's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 4

Approval · how many liked their films

63rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Shape of the crowd

None of their 4 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4

Reviewers score the atmosphere 83/100 and the pacing 46/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Pierre Schoendoerffer work with?

People who share at least 2 of Pierre Schoendoerffer's MovieCove titles, grouped by what they did on them; Jacques Perrin shares the most, 2.

Actors

Cinematographers and editors

Producers