
Raoul Coutard
Cinematographer, also actor and director · Died November 8, 2016, aged 92 · Paris, France
Raoul Coutard (16 September 1924 – 8 November 2016) was a French cinematographer. He is best known for his connection with the Nouvelle Vague period and particularly for his work with director Jean-Luc Godard. Coutard also shot films for New Wave director François Truffaut as well as Jacques Demy, a contemporary frequently associated with the movement. He shot over 75 films during a career that lasted nearly half a century. Coutard originally planned to study chemistry, but switched to photography because of the cost of tuition. In 1945, Coutard was sent to participate in the French Indochina War; he lived in Vietnam for the next 11 years, working as a war photographer, eventually becoming a freelancer for Paris Match and Look. In 1956, he was approached to shoot a film by Pierre Schoendoerffer, La Passe du Diable. Coutard had never used a movie camera before, and reportedly agreed to the job because of a misunderstanding (he believed he was being hired to shoot production stills of the film). Coutard's first work collaboration with Jean-Luc Godard was Godard's first feature, À bout de souffle, shot in 1959. He was reportedly "imposed" on Godard by producer Georges de Beauregard; the director had already settled on a different cinematographer. Coutard photographed nearly all of Godard's work in the Nouvelle Vague era (1959 - 1967), with the exception of Masculin, féminin; their last work during this period was Week-end (1967), which marked the end of Godard's work as a 'mainstream' filmmaker. The two did not work together again until Passion; their final collaboration was Godard's next feature, Prénom Carmen. ... Source: Article "Raoul Coutard" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Biography from TMDB.
- September 16, 1924
- November 8, 2016 (aged 92)
- Paris, France
- Cinematographer, also actor and director
- 33 on MovieCove · 78 credits in all
What are Raoul Coutard's films like?
Across their 33 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 6 · Wry 9 · Earnest 17
A split, not a type: Light 11 · Serious 10 · Dark 12
Grounded 8 · Stylized 13 · Heightened 12
Gentle 4 · Charged 22 · Intense 7
A split, not a type: Steady 14 · Shifting 13 · Whiplash 6
A split, not a type: Straight-faced 20 · Some laughs 7 · Funny 6
A split, not a type: Slow burn 19 · Even-paced 12 · Relentless 2
Casual 4 · Engaged 17 · Full focus 12
Easy watch 11 · Affecting 13 · Heavy 9
A split, not a type: Resolved 14 · Open-ended 1 · Ambiguous 18
Moods and endings
- Happy4
- Bittersweet10
- Tragic11
- Ambiguous8
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Raoul Coutard's films?
As of October 24, 2026, 19 of their 33 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (11).
- Z (1969) · actor, cinematographer
- My Life to Live (1962) · cinematographer
- Jules and Jim (1962) · cinematographer
- Breathless (1960) · cinematographer
- The Soft Skin (1964) · cinematographer
- Lola (1961) · cinematographer
- Pierrot le fou (1965) · cinematographer
- Shoot the Piano Player (1960) · cinematographer
- A Woman Is a Woman (1961) · cinematographer
- Weekend (1967) · cinematographer
- 2 or 3 Things I Know About Her (1967) · cinematographer
- Z (1969) · actor, cinematographer
- My Life to Live (1962) · cinematographer
- Jules and Jim (1962) · cinematographer
- Breathless (1960) · cinematographer
- The Soft Skin (1964) · cinematographer
- Pierrot le fou (1965) · cinematographer
- Shoot the Piano Player (1960) · cinematographer
- Weekend (1967) · cinematographer
- 2 or 3 Things I Know About Her (1967) · cinematographer
Subscription and free streaming for Raoul Coutard's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
78 credits, 33 with a MovieCove page; 11 appearances as themselves are hidden until asked for.

The Wild Palms (not in the MovieCove catalog yet)(2025)
The Outskirts of Alphaville (not in the MovieCove catalog yet)(2003)

Wild Innocence (not in the MovieCove catalog yet)(2001)

The Phantom Heart (not in the MovieCove catalog yet)(1996)

Happiness Is No Joke (not in the MovieCove catalog yet)(1995)

The Birth of Love (not in the MovieCove catalog yet)(1993)
Midcredits score: 48th percentile of all films
Il gèle en enfer (not in the MovieCove catalog yet)(1990)

Thick Skinned (not in the MovieCove catalog yet)(1989)
Midcredits score: 31st percentile of all films
Burning Beds (not in the MovieCove catalog yet)(1988)

Blanc de Chine (not in the MovieCove catalog yet)(1988)

Max My Love(1986)
Midcredits score: 49th percentile of all filmsParachute (not in the MovieCove catalog yet)(1986)

The Bitch (not in the MovieCove catalog yet)(1984)

Dangerous Moves(1984)
Midcredits score: 62nd percentile of all films
Salt on the Skin (not in the MovieCove catalog yet)(1984)

First Name: Carmen(1983)
Midcredits score: 60th percentile of all films
S.A.S. San Salvador(1982)
Midcredits score: 1st percentile of all films
Godard's Passion (not in the MovieCove catalog yet)(1982)

Operation Leopard (not in the MovieCove catalog yet)(1980)

Le Crabe-Tambour(1977)
Midcredits score: 75th percentile of all filmsLe Défilé du 14 Juillet 1977 (not in the MovieCove catalog yet)(1977)
Une nuit en Lorraine (not in the MovieCove catalog yet)(1975)

Like a Pot of Strawberries (not in the MovieCove catalog yet)(1974)

A Pain in the Ass(1973)
Midcredits score: 83rd percentile of all films
The Hostage Gang (not in the MovieCove catalog yet)(1973)

Five Leaf Clover (not in the MovieCove catalog yet)(1972)

Embassy (not in the MovieCove catalog yet)(1972)

The Hideout(1971)
Midcredits score: 3rd percentile of all films (provisional, few ratings)
The Most Gentle Confessions (not in the MovieCove catalog yet)(1971)

La Liberté en croupe (not in the MovieCove catalog yet)(1970)

The Bamboo Incident (not in the MovieCove catalog yet)(1970)

The Confession(1970)
Midcredits score: 97th percentile of all films
The Southern Star (not in the MovieCove catalog yet)(1969)

Z(1969)
Midcredits score: 98th percentile of all films
Rocky Road to Dublin (not in the MovieCove catalog yet)(1968)

The Bride Wore Black(1968)
Midcredits score: 87th percentile of all films
Weekend(1967)
Midcredits score: 78th percentile of all films
The Chinese(1967)
Midcredits score: 82nd percentile of all films
Horizon (not in the MovieCove catalog yet)(1967)
Midcredits score: 67th percentile of all films
Made in U.S.A(1966)
Midcredits score: 53rd percentile of all films
Midcredits score: 46th percentile of all films
The Defector(1966)
Midcredits score: 29th percentile of all films
Pierrot le fou(1965)
Midcredits score: 91st percentile of all films
Alphaville(1965)
Midcredits score: 83rd percentile of all films
The Botanical Avatar of Mademoiselle Flora (not in the MovieCove catalog yet)(1965)

The 317th Platoon(1965)
Midcredits score: 91st percentile of all filmsScruggs (not in the MovieCove catalog yet)(1965)

A Married Woman(1964)
Midcredits score: 84th percentile of all films
Male Companion (not in the MovieCove catalog yet)(1964)

Le Grand Escroc (not in the MovieCove catalog yet)(1964)
Midcredits score: 24th percentile of all films
Band of Outsiders(1964)
Midcredits score: 95th percentile of all films
The Soft Skin(1964)
Midcredits score: 93rd percentile of all films
Contempt(1963)
Midcredits score: 89th percentile of all films
Portuguese Vacation (not in the MovieCove catalog yet)(1963)

The Carabineers (not in the MovieCove catalog yet)(1963)

Like Two Drops of Water (not in the MovieCove catalog yet)(1963)

Le Petit Soldat (not in the MovieCove catalog yet)(1963)

The Doll (not in the MovieCove catalog yet)(1962)

And Satan Calls the Turns (not in the MovieCove catalog yet)(1962)

My Life to Live(1962)
Midcredits score: 97th percentile of all films
Antoine and Colette (not in the MovieCove catalog yet)(1962)

Love at Twenty(1962)
Midcredits score: 82nd percentile of all films
Jules and Jim(1962)
Midcredits score: 95th percentile of all films
Petit Jour (not in the MovieCove catalog yet)(1962)

Chronicle of a Summer (not in the MovieCove catalog yet)(1961)

A Woman Is a Woman(1961)
Midcredits score: 90th percentile of all films
Lola(1961)
Midcredits score: 92nd percentile of all films
Time Out for Love (not in the MovieCove catalog yet)(1961)

Shoot the Piano Player(1960)
Midcredits score: 91st percentile of all films
The Army Game (not in the MovieCove catalog yet)(1960)

Breathless(1960)
Midcredits score: 95th percentile of all films
The Devil's Pass (not in the MovieCove catalog yet)(1959)

Island Fisherman (not in the MovieCove catalog yet)(1959)

Ramuntcho (not in the MovieCove catalog yet)(1958)
Career shape
A full career of 78 titles from 1958 to 2025.

Biggest box office
Dangerous Moves (1984)

Highest rated
Z (1969)

Most popular right now
Breathless (1960)
Film career
- 1963Screen debut· Contempt
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Raoul Coutard's films land?
Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 33; across their 33 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up21
- 50th to 74th4
- 25th to 49th5
- Below 25th3
Shape of the crowd
17 of their 33 titles are Crowd Pleasers.
- Universally Loved8
- Cult Classic1
- Crowd Pleaser17
- Mixed7
Reviewers score the cinematography 78/100 in their films, across 29 reviewed titles; fans 82, detractors 59. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Raoul Coutard's work okay for kids?
Across up to 14 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Raoul Coutard work with?
People who share at least 2 of Raoul Coutard's MovieCove titles, grouped by what they did on them; Jean-Luc Godard shares the most, 15.
Directors
- Jean-Luc GodardShared titles: First Name: Carmen (1983), 2 or 3 Things I Know About Her (1967), The Chinese (1967), Weekend (1967), Made in U.S.A (1966), The Defector (1966), Alphaville (1965), Pierrot le fou (1965), A Married Woman (1964), Band of Outsiders (1964), The World's Most Beautiful Swindlers (1964), Contempt (1963) and 3 moreSee newest 12 of 15 shared titles with Jean-Luc Godard

- François TruffautShared titles: The Bride Wore Black (1968), The Soft Skin (1964), Jules and Jim (1962), Love at Twenty (1962), Breathless (1960), Shoot the Piano Player (1960)See all 6 shared titles with François Truffaut

- Pierre SchoendoerfferShared titles: Le Crabe-Tambour (1977), The 317th Platoon (1965)See all 2 shared titles with Pierre Schoendoerffer

- Costa-GavrasShared titles: The Confession (1970), Z (1969)See all 2 shared titles with Costa-Gavras

Writers
- Jorge SemprúnShared titles: The Confession (1970), Z (1969)See all 2 shared titles with Jorge Semprún

- Jean-Louis RichardShared titles: The Bride Wore Black (1968), The Soft Skin (1964)See all 2 shared titles with Jean-Louis Richard

- Claude ChabrolShared titles: The World's Most Beautiful Swindlers (1964), Breathless (1960)See all 2 shared titles with Claude Chabrol

Actors
- Anna KarinaShared titles: Made in U.S.A (1966), Alphaville (1965), Pierrot le fou (1965), A Married Woman (1964), Band of Outsiders (1964), My Life to Live (1962), A Woman Is a Woman (1961)See all 7 shared titles with Anna Karina

- Jeanne MoreauShared titles: The Bride Wore Black (1968), The Sailor from Gibraltar (1967), Jules and Jim (1962), A Woman Is a Woman (1961)See all 4 shared titles with Jeanne Moreau

- Sabine HaudepinShared titles: Max My Love (1986), The Soft Skin (1964), Jules and Jim (1962)See all 3 shared titles with Sabine Haudepin

- Jacques PerrinShared titles: Le Crabe-Tambour (1977), Z (1969), The 317th Platoon (1965)See all 3 shared titles with Jacques Perrin

Composers and editors
- Agnès GuillemotShared titles: Dangerous Moves (1984), The Chinese (1967), Weekend (1967), Made in U.S.A (1966), Alphaville (1965), A Married Woman (1964), Band of Outsiders (1964), The World's Most Beautiful Swindlers (1964), Contempt (1963), My Life to Live (1962), A Woman Is a Woman (1961)See all 11 shared titles with Agnès Guillemot
- Michel LegrandShared titles: The Chinese (1967), Band of Outsiders (1964), The World's Most Beautiful Swindlers (1964), My Life to Live (1962), A Woman Is a Woman (1961), Lola (1961)See all 6 shared titles with Michel Legrand

- Claudine BouchéShared titles: The Bride Wore Black (1968), The Soft Skin (1964), Jules and Jim (1962), Love at Twenty (1962), Shoot the Piano Player (1960)See all 5 shared titles with Claudine Bouché
- Françoise CollinShared titles: 2 or 3 Things I Know About Her (1967), Made in U.S.A (1966), Pierrot le fou (1965), A Married Woman (1964), Band of Outsiders (1964)See all 5 shared titles with Françoise Collin
Producers
- Georges de BeauregardShared titles: Le Crabe-Tambour (1977), Made in U.S.A (1966), Pierrot le fou (1965), The 317th Platoon (1965), Contempt (1963), A Woman Is a Woman (1961), Lola (1961), Breathless (1960)See all 8 shared titles with Georges de Beauregard

- Carlo PontiShared titles: Contempt (1963), A Woman Is a Woman (1961), Lola (1961)See all 3 shared titles with Carlo Ponti

- Marcel BerbertShared titles: The Bride Wore Black (1968), Jules and Jim (1962)See all 2 shared titles with Marcel Berbert

- Oscar LewensteinShared titles: The Bride Wore Black (1968), The Sailor from Gibraltar (1967)See all 2 shared titles with Oscar Lewenstein
Mixed roles
- Georges LironShared titles: S.A.S. San Salvador (1982), A Married Woman (1964)See all 2 shared titles with Georges Liron
- Eric SchlumbergerShared titles: Z (1969), My Life to Live (1962)See all 2 shared titles with Eric Schlumberger
- Rémo ForlaniShared titles: Made in U.S.A (1966), Pierrot le fou (1965)See all 2 shared titles with Rémo Forlani



