- December 20, 1976 (49)
- Sevilla, Andalucía, Spain
- Director, producer and writer
- 8 on Motif · 15 credits in all
What are Laura Alvea's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 1 · Serious 1 · Dark 1
Grounded 0 · Stylized 3 · Heightened 0
Gentle 0 · Charged 1 · Intense 2
Steady 0 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 1 · Full focus 1
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Laura Alvea's films?
As of October 24, 2026, 7 of their 8 Motif titles stream on a subscription or free service, most on Netflix (4).
Subscription and free streaming for Laura Alvea's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 8 with a Motif page.
Trinidad (not in the Motif catalog yet)(2026)

The Crystal Cuckoo(2025)
Midcredits score: 32nd percentile of all shows
The Sleeping Woman(2024)
Midcredits score: 18th percentile of all films
The Snow Girl(2023)
Midcredits score: 45th percentile of all shows
Fernando Torres: The Last Symbol (not in the Motif catalog yet)(2020)

The Endless Trench(2019)
Midcredits score: 86th percentile of all films
Arde Madrid (not in the Motif catalog yet)(2018)

Ánimas(2018)
Midcredits score: 14th percentile of all films
Kiki, Love to Love(2016)
Midcredits score: 58th percentile of all films
Marshland(2014)
Midcredits score: 89th percentile of all films
The Extraordinary Tale of the Times Table (not in the Motif catalog yet)(2014)

Juan of the Dead(2011)
Midcredits score: 60th percentile of all films
Tebraa, portraits of Sahrawi women (not in the Motif catalog yet)(2007)

¿Y a mí quién me cuida? (not in the Motif catalog yet)(2007)
Pleno al quince (not in the Motif catalog yet)(1999)
Career shape
A full career of 15 titles, 14 of them dated from 1999 to 2025.
How do Laura Alvea's films land?
Their typical Motif film has a Midcredits score in the 59th percentile, the median of all 6; across a limited sample of 3 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th2
- Below 25th2
Shape of the crowd
4 of their 8 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed3
- Mixed1
Reviewers score the atmosphere 69/100 and the pacing 43/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Laura Alvea work with?
People who share at least 2 of Laura Alvea's Motif titles, grouped by what they did on them; José Ortuño shares the most, 2.
Writers
- José OrtuñoShared titles: The Sleeping Woman (2024), Ánimas (2018)See all 2 shared titles with José Ortuño

Cinematographers and editors
- Fátima de los SantosShared titles: The Sleeping Woman (2024), Ánimas (2018)See all 2 shared titles with Fátima de los Santos
- Fran Fernández PardoShared titles: The Sleeping Woman (2024), Ánimas (2018)See all 2 shared titles with Fran Fernández Pardo
- José M. G. MoyanoShared titles: The Sleeping Woman (2024), Ánimas (2018)See all 2 shared titles with José M. G. Moyano
Producers
- Olmo Figueredo González-QuevedoShared titles: The Sleeping Woman (2024), Ánimas (2018)See all 2 shared titles with Olmo Figueredo González-Quevedo

