Skip to content
MovieCove
Fátima de los Santos

Fátima de los Santos

Editor and writer

Works as
Editor and writer
Titles
7 on MovieCove

What are Fátima de los Santos' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

Grounded 2 · Stylized 2 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 2 · Full focus 1

A split, not a type: Resolved 1 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
5
Dread
3
Warm
1
Joyful
1
Other
4

How their films end · 3 with a twist

  • Happy1
  • Bittersweet1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fátima de los Santos' films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Netflix (3).

Subscription and free streaming for Fátima de los Santos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • 9 Moons(2026)

    Editor

    Midcredits score: 58th percentile of all films
  • Cookie Queens(2026)

    Editor

    Midcredits score: 68th percentile of all films
  • The Crystal Cuckoo(2025)

    Show Editor

    Midcredits score: 32nd percentile of all shows
  • En Fin(2024)

    Show Editor

    Midcredits score: 25th percentile of all shows
  • The Sleeping Woman(2024)

    Editor

    Midcredits score: 18th percentile of all films
  • Where Is Marta?(2021)

    Show Editor · Writer

    Midcredits score: 44th percentile of all shows
  • Ánimas(2018)

    Editor

    Midcredits score: 14th percentile of all films

Career shape

Across their 7 MovieCove titles from 2018 to 2026.

By role

only this rolewith another role
Writing1 of 7: 0 only writing, 1 with another roleEditing7 of 7: 6 only editing, 1 with another role · typical Midcredits score32nd

By decade

2010s1 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Fátima de los Santos' films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 4

Approval · how many liked their films

28thpercentile
Typical film, the median of 4

Reach · how many have seen their films

67thpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 50th to 74th2
  • 25th to 49th3
  • Below 25th2

Reviewers score the pacing 37/100 in their films, across 3 reviewed titles; fans 48, detractors 18. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Fátima de los Santos work with?

People who share at least 2 of Fátima de los Santos' MovieCove titles, grouped by what they did on them; Fran Fernández Pardo shares the most, 5.

Directors

Writers

Cinematographers and editors

Producers