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Olmo Figueredo González-Quevedo

Olmo Figueredo González-Quevedo

Producer and writer, also director

Works as
Producer and writer, also director
Titles
13 on MovieCove

What are Olmo Figueredo González-Quevedo's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 4 · Dark 6

Grounded 8 · Stylized 4 · Heightened 0

A split, not a type: Gentle 1 · Charged 5 · Intense 6

A split, not a type: Steady 6 · Shifting 5 · Whiplash 1

Straight-faced 10 · Some laughs 2 · Funny 0

Slow burn 7 · Even-paced 5 · Relentless 0

Casual 3 · Engaged 7 · Full focus 2

Easy watch 0 · Affecting 5 · Heavy 7

A split, not a type: Resolved 6 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
7
Melancholic
7
Contemplative
4
Warm
2
Other
6

How their films end · 4 with a twist

  • Happy1
  • Bittersweet7
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Olmo Figueredo González-Quevedo's films?

As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (4).

Subscription and free streaming for Olmo Figueredo González-Quevedo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • 9 Moons(2026)

    Producer · Writer

    Midcredits score: 58th percentile of all films
  • Bella(2025)

    Producer

    Midcredits score: 10th percentile of all films (provisional, few ratings)
  • The Sleeping Woman(2024)

    Producer

    Midcredits score: 18th percentile of all films
  • 548 Days: Abducted Online(2023)

    Show Director · Producer · Writer

    Midcredits score: 54th percentile of all shows
  • Tin & Tina(2023)

    Producer

    Midcredits score: 12th percentile of all films
  • Alegría(2021)

    Producer

    Midcredits score: 26th percentile of all films (provisional, few ratings)
  • El inconveniente(2020)

    Producer

    Midcredits score: 64th percentile of all films
  • El verano que vivimos(2020)

    Producer

    Midcredits score: 54th percentile of all films
  • Adiós(2019)

    Producer

    Midcredits score: 52nd percentile of all films
  • Parking(2019)

    Producer

    Midcredits score: 42nd percentile of all films
  • The Endless Trench(2019)

    Producer

    Midcredits score: 86th percentile of all films
  • Ánimas(2018)

    Producer

    Midcredits score: 14th percentile of all films
  • Your Son(2018)

    Producer

    Midcredits score: 42nd percentile of all films

Career shape

Across their 13 MovieCove titles from 2018 to 2026.

By role

only this rolewith another role
Directing1 of 13: 0 only directing, 1 with another roleWriting2 of 13: 0 only writing, 2 with another roleProducing13 of 13: 11 only producing, 2 with another role · typical Midcredits score42nd

By decade

2010s5 · crew2020s8 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Olmo Figueredo González-Quevedo's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 12

Approval · how many liked their films

40thpercentile
Typical film, the median of 12

Reach · how many have seen their films

66thpercentile
Typical film, the median of 12

Midcredits score across 13 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th4

Reviewers score the dialogue 46/100 and the plot and story 41/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Olmo Figueredo González-Quevedo's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 67 · intenseMedian of all films: 44
Sex & Nudity3 titlesmedian 57 · moderateMedian of all films: 32
Frightening / Intense3 titlesmedian 71 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Olmo Figueredo González-Quevedo work with?

People who share at least 2 of Olmo Figueredo González-Quevedo's MovieCove titles, grouped by what they did on them; Carlos Rosado Sibon shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers