Robert Hardy Andrews
Writer · Died November 11, 1976, aged 73 · Effingham, Kansas, USA
- October 19, 1903
- November 11, 1976 (aged 73)
- Effingham, Kansas, USA
- Writer
- 24 on MovieCove · 50 credits in all
Known for
What are Robert Hardy Andrews' films like?
Across their 23 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 23
Light 7 · Serious 8 · Dark 8
Grounded 16 · Stylized 6 · Heightened 1
Gentle 5 · Charged 12 · Intense 6
Steady 13 · Shifting 10 · Whiplash 0
Straight-faced 14 · Some laughs 8 · Funny 1
Slow burn 7 · Even-paced 14 · Relentless 2
Casual 14 · Engaged 9 · Full focus 0
A split, not a type: Easy watch 10 · Affecting 9 · Heavy 4
Resolved 19 · Open-ended 4 · Ambiguous 0
Moods and endings
- Happy11
- Bittersweet8
- Tragic3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Hardy Andrews' films?
As of October 24, 2026, 9 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Robert Hardy Andrews' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
50 credits, 24 with a MovieCove page.

Combat!(1962)
Midcredits score: 96th percentile of all shows
Tarzan Goes to India(1962)
Midcredits score: 20th percentile of all films
The Barbara Stanwyck Show (not in the MovieCove catalog yet)(1960)

Thriller (not in the MovieCove catalog yet)(1960)

Great Day in the Morning(1956)
Midcredits score: 58th percentile of all films
The King's Thief(1955)
Midcredits score: 26th percentile of all films
Trouble Along the Way(1953)
Midcredits score: 71st percentile of all films
Death Valley Days (not in the MovieCove catalog yet)(1952)

The Tanks Are Coming (not in the MovieCove catalog yet)(1951)

Best of the Badmen(1951)
Midcredits score: 42nd percentile of all films
Mark of the Renegade(1951)
Midcredits score: 37th percentile of all films
Undercover Girl (not in the MovieCove catalog yet)(1950)

Wyoming Mail(1950)
Midcredits score: 33rd percentile of all films
The Woman on Pier 13(1949)
Midcredits score: 38th percentile of all films
The Kid from Texas(1950)
Midcredits score: 54th percentile of all films
Bagdad (not in the MovieCove catalog yet)(1949)

Bad Boy (not in the MovieCove catalog yet)(1949)

The Man from Colorado(1948)
Midcredits score: 71st percentile of all films
Talk About a Lady(1946)
Midcredits score: 35th percentile of all films (provisional, few ratings)
The Hairy Ape(1944)
Midcredits score: 39th percentile of all films
The Cross of Lorraine(1943)
Midcredits score: 64th percentile of all films
Salute to the Marines(1943)
Midcredits score: 59th percentile of all films
Bataan(1943)
Midcredits score: 78th percentile of all films
Power of the Press (not in the MovieCove catalog yet)(1943)

Smith of Minnesota (not in the MovieCove catalog yet)(1942)

The Mayor of 44th Street(1942)
Midcredits score: 15th percentile of all films
Midcredits score: 64th percentile of all films
Road to Happiness (not in the MovieCove catalog yet)(1941)

The Devil Commands (not in the MovieCove catalog yet)(1941)

Sweetheart of the Campus (not in the MovieCove catalog yet)(1941)

Under Age (not in the MovieCove catalog yet)(1941)

Dreaming Out Loud(1940)
Midcredits score: 52nd percentile of all films
Before I Hang(1940)
Midcredits score: 40th percentile of all films
Girls of the Road (not in the MovieCove catalog yet)(1940)

Babies for Sale (not in the MovieCove catalog yet)(1940)

Island of Doomed Men(1940)
Midcredits score: 33rd percentile of all films
Men Without Souls (not in the MovieCove catalog yet)(1940)

Mutiny in the Big House (not in the MovieCove catalog yet)(1939)

Streets of New York(1939)
Midcredits score: 44th percentile of all filmsI Was a Convict (not in the MovieCove catalog yet)(1939)

Gangster's Boy (not in the MovieCove catalog yet)(1938)

Flight from Glory (not in the MovieCove catalog yet)(1937)

Isle of Fury (not in the MovieCove catalog yet)(1936)

The Longest Night (not in the MovieCove catalog yet)(1936)

Jailbreak (not in the MovieCove catalog yet)(1936)

The Walking Dead(1936)
Midcredits score: 67th percentile of all films
I Live for Love (not in the MovieCove catalog yet)(1935)

Little Big Shot (not in the MovieCove catalog yet)(1935)

If I Had a Million(1932)
Midcredits score: 76th percentile of all films
Three Girls Lost (not in the MovieCove catalog yet)(1931)
Career shape
A full career of 49 titles from 1931 to 1962.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert Hardy Andrews' films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 23; across their 23 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up3
- 50th to 74th9
- 25th to 49th10
- Below 25th2
Shape of the crowd
10 of their 24 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser10
- Broadly Agreed10
- Mixed2
Reviewers score the dialogue 47/100 and the plot and story 43/100 in their films, across 22 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Hardy Andrews work with?
People who share at least 2 of Robert Hardy Andrews' MovieCove titles, grouped by what they did on them; Hugo Fregonese shares the most, 2.
Directors
- Hugo FregoneseShared titles: The King's Thief (1955), Mark of the Renegade (1951)See all 2 shared titles with Hugo Fregonese

- Michael CurtizShared titles: Trouble Along the Way (1953), The Walking Dead (1936)See all 2 shared titles with Michael Curtiz

- Tay GarnettShared titles: Bataan (1943), The Cross of Lorraine (1943)See all 2 shared titles with Tay Garnett

Writers
- Barry TriversShared titles: Talk About a Lady (1946), Dreaming Out Loud (1940)See all 2 shared titles with Barry Trivers
Actors
- Leo GordonShared titles: Tarzan Goes to India (1962), Great Day in the Morning (1956)See all 2 shared titles with Leo Gordon

- Armando SilvestreShared titles: Mark of the Renegade (1951), Wyoming Mail (1950)See all 2 shared titles with Armando Silvestre

- Barton MacLaneShared titles: Best of the Badmen (1951), The Walking Dead (1936)See all 2 shared titles with Barton MacLane

- Robert RyanShared titles: Best of the Badmen (1951), The Woman on Pier 13 (1949)See all 2 shared titles with Robert Ryan

Composers, cinematographers and editors
- William E. SnyderShared titles: Great Day in the Morning (1956), The Man from Colorado (1948)See all 2 shared titles with William E. Snyder
- Frank GrossShared titles: Mark of the Renegade (1951), The Kid from Texas (1950)See all 2 shared titles with Frank Gross
- Frank SkinnerShared titles: Mark of the Renegade (1951), Sherlock Holmes and the Voice of Terror (1942)See all 2 shared titles with Frank Skinner

- Charles NelsonShared titles: The Man from Colorado (1948), Before I Hang (1940)See all 2 shared titles with Charles Nelson
Producers
- Jack J. GrossShared titles: Mark of the Renegade (1951), The Woman on Pier 13 (1949)See all 2 shared titles with Jack J. Gross




